CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less.  In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow.... more...

CHAPTER IHOW PEACEFUL ARTS HELP IN WAR In the olden times warfare was supported by a single trade, that of the armourer. Nowadays the whole resources of the greatest manufacturing nations scarcely suffice to supply the needs of their armies. So much is this the case that no nation can possibly hope to become powerful in a military or naval sense unless they are either a great manufacturing community or... more...

CHAPTER I. Project—On the stocks—Profile—Afloat alone—Smart lads—Swinging—Anchors—Happy boys—Sea reach—Good looks—Peep below—Important trifles—In the well—Chart—Watch on deck—Eating an egg—Storm sail. It was a strange and pleasant life for me all the summer, sailing entirely alone by sea and river fifteen hundred miles, and with its toils, perils, and adventures heartily... more...

I. Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini, Giorgione, Titian, and Tintoret. The difference is striking. The significance of the Venetian names is exhausted with their significance as painters.... more...

IN WHICH NANNIE IS INTRODUCED.little brown house, with an old elm-tree before it, a frame of lattice-work around the door, with a broad stone for a step—this is where old Grannie Burt lives. And there she is sitting in the doorway with her Bible in her lap. She can't read it, for she is blind; but she likes to have it by her; she likes the "feeling of it," she says. "When my Bible is... more...

The dark clouds which hung yet over the future of Napoleon Bonaparte, the lieutenant of artillery, were gathering in heavier and heavier masses over all France, and already were overshadowing the throne of the lilies. Marie Antoinette had already abandoned the paradise of innocency in Trianon, and when she came there now it was to weep in silence, to cast away the mask from her face, and under the garb... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in... more...

                          DIARY OF SAMUEL PEPYS.                             FEBRUARY & MARCH                                1668-1669 February 1st. Up, and by water from the Tower to White Hall, the first time that I have gone to that end of the town by water, for two or three months, I think, since I kept a... more...

I. It was at Governor Alvarado's house in Monterey that Chonita first knew of Diego Estenega. I had told him much of her, but had never cared to mention the name of Estenega in the presence of an Iturbi y Moncada. Chonita came to Monterey to stand godmother to the child of Alvarado and of her friend Doña Martina, his wife. She arrived the morning before the christening, and no one thought to tell... more...