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Showing: 1-10 results of 180

Mr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this... more...

DEDICATION. MY DEAR WILLIAM ARCHER, Severe and ruthlessly honest man that you are, you will find that the levities and the gravities of this book do not accord, and will say so. I plead only that they were written at intervals, and in part for recreation, during years in which their author has striven to maintain a cheerful mind while a popular philosophy which he believed to be cheap took possession of men and translated itself into... more...

CHAPTER I. Burlesque—Parody—The "Splendid Shilling"—Prior—Pope—Ambrose Philips—Parodies of Gray's Elegy—Gay. Burlesque, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation. Hence in the old... more...

INTRODUCTION. PART I. ORIGIN OF HUMOUR. Pleasure in Humour—What is Laughter?—Sympathy—First Phases—Gradual Development—Emotional Phase—Laughter of Pleasure—Hostile Laughter—Is there any sense of the Ludicrous in the Lower Animals?—Samson—David—Solomon—Proverbs—Fables. Few of the blessings we enjoy are of greater value than the gift of humour. The pleasure... more...

PREFACE In telling the story of Shakespeare's life and work within strict limits of space, an attempt has been made to keep closely to essential matters. There is no period of the poet's life, there is no branch of his marvellous work, that has not been the subject of long and learned volumes, no single play that has not been discussed at greater length than serves here to cover the chief incidents of work and life together. If the Homes and... more...


CHAPTER I THE LIFE OF SHAKESPEARE Stratford-on-Avon is cleaner, better paved, and perhaps more populous than it was in Shakespeare's time. Several streets of mean red-brick houses have been built during the last half century. Hotels, tea rooms, refreshment rooms, and the shops where the tripper may buy things to remind him that he has been where greatness lived, give the place an air at once prosperous and parasitic. The town contains a few... more...

PRELIMINARY I The writing of this preliminary chapter, and the final survey and revision of my Whitman essay, I am making at a rustic house I have built at a wild place a mile or more from my home upon the river. I call this place Whitman Land, because in many ways it is typical of my poet,—an amphitheatre of precipitous rock, slightly veiled with a delicate growth of verdure, enclosing a few acres of prairie-like land, once the site of... more...

We had expected to stay in Boston only until we could find a house in Old Cambridge. This was not so simple a matter as it might seem; for the ancient town had not yet quickened its scholarly pace to the modern step. Indeed, in the spring of 1866 the impulse of expansion was not yet visibly felt anywhere; the enormous material growth that followed the civil war had not yet begun. In Cambridge the houses to be let were few, and such as there were... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that magical, unpronounceable... more...

PREFACE What I aim at in this book is little more than to give complete reflection to those great figures in Literature which have so long obsessed me. This poor reflection of them passes, as they pass, image by image, eidolon by eidolon, in the flowing stream of my own consciousness. Most books of critical essays take upon themselves, in unpardonable effrontery, to weigh and judge, from their own petty suburban pedestal, the great Shadows they... more...