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These studies are collected from the monthly press. One appeared in the New Quarterly, one in Macmillan’s, and the rest in the Cornhill Magazine. To the Cornhill I owe a double debt of thanks; first, that I was received there in the very best society, and under the eye of the very best of editors; and second, that the proprietors have allowed me to republish so considerable an amount of copy. These nine worthies have been brought together... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that magical, unpronounceable... more...

"It would be hard to name a better commonplace book for summer lawns. . . . The lover of poetry, the lover of gardening, and the lover of quaint, out-of-the-way knowledge will each find something to please him. . . . It is a delightful example of gardening literature."—Pall Mall Gazette. "Mr. Ellacombe, with a double enthusiasm for Shakespeare and for his garden, has produced a very readable and graceful... more...

The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent are has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into... more...

There was a certain island in the sea, the only inhabitants of which were an old man, whose name was Prospero, and his daughter Miranda, a very beautiful young lady. She came to this island so young, that she had no memory of having seen any other human face than her father's. They lived in a cave or cell, made out of a rock; it was divided into several apartments, one of which Prospero called his study; there he kept his books, which chiefly... more...


CHAPTER I INTRODUCTORY The most interesting and important fifteen years in the records of English dramatic literature are undoubtedly those between 1588 and 1603, within which limit all of Shakespeare's poems and the majority of his plays were written; yet no exhaustive English history, intelligently co-ordinating the social, literary, and political life of this period, has ever been written. Froude, the keynote of whose historical work is... more...

PREFACE When I was invited to reprint in book-form the articles which had appeared in the Genealogical Magazine under the titles of "Shakespeare's Family" and the "Warwickshire Ardens," I carefully corrected them, and expanded them where expansion could be made interesting. Thus to the bald entries of Shakespeare's birth and burial I added a short life. Perhaps never before has anyone attempted to write a life of the poet with so little allusion... more...

DEDICATION. MY DEAR WILLIAM ARCHER, Severe and ruthlessly honest man that you are, you will find that the levities and the gravities of this book do not accord, and will say so. I plead only that they were written at intervals, and in part for recreation, during years in which their author has striven to maintain a cheerful mind while a popular philosophy which he believed to be cheap took possession of men and translated itself into... more...

by Various
INTRODUCTION. In England, as elsewhere, criticism was a late birth of the literary spirit. English poets had sung and literary prose been written for centuries before it struck men to ask themselves, What is the secret of the power that these things have on our mind, and by what principles are they to be judged? And it could hardly have been otherwise. Criticism is a self-conscious art, and could not have arisen in an age of intellectual... more...

CHAPTER I NATURE AND OFFICE OF CRITICISM 1. Purpose of Literary Study. The study or reading of literature ordinarily has a threefold purpose,—knowledge, pleasure, and culture. This purpose shows us both the character of the literature which should be read and the manner in which it should be read. As a rule we should read only books of recognized excellence, and read them with sympathetic intelligence. Trashy books, whatever pleasure they... more...