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Showing: 1-10 results of 180

Chapter I. The Historical Scope of the Subject. . . . . . . . . . Literature and Science. There are two words in the English language which are now used to express the two great divisions of mental production—Science and Literature; and yet, from their etymology, they have so much in common, that it has been necessary to attach to each a technical meaning, in order that we may employ them without confusion. Science, from the... more...

EMERSON I "Leave this hypocritical prating about the masses. Masses are rude, lame, unmade, pernicious in their demands and influence, and need not to be flattered, but to be schooled. I wish not to concede anything to them, but to tame, drill, divide, and break them up, and draw individuals out of them. The worst of charity is that the lives you are asked to preserve are not worth preserving. Masses! The calamity is the masses. I do not wish... more...

PREFACE In telling the story of Shakespeare's life and work within strict limits of space, an attempt has been made to keep closely to essential matters. There is no period of the poet's life, there is no branch of his marvellous work, that has not been the subject of long and learned volumes, no single play that has not been discussed at greater length than serves here to cover the chief incidents of work and life together. If the Homes and... more...

CHAPTER I THE LIFE OF SHAKESPEARE Stratford-on-Avon is cleaner, better paved, and perhaps more populous than it was in Shakespeare's time. Several streets of mean red-brick houses have been built during the last half century. Hotels, tea rooms, refreshment rooms, and the shops where the tripper may buy things to remind him that he has been where greatness lived, give the place an air at once prosperous and parasitic. The town contains a few... more...

PRELIMINARY I The writing of this preliminary chapter, and the final survey and revision of my Whitman essay, I am making at a rustic house I have built at a wild place a mile or more from my home upon the river. I call this place Whitman Land, because in many ways it is typical of my poet,—an amphitheatre of precipitous rock, slightly veiled with a delicate growth of verdure, enclosing a few acres of prairie-like land, once the site of... more...


We had expected to stay in Boston only until we could find a house in Old Cambridge. This was not so simple a matter as it might seem; for the ancient town had not yet quickened its scholarly pace to the modern step. Indeed, in the spring of 1866 the impulse of expansion was not yet visibly felt anywhere; the enormous material growth that followed the civil war had not yet begun. In Cambridge the houses to be let were few, and such as there were... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that magical, unpronounceable... more...

PREFACE What I aim at in this book is little more than to give complete reflection to those great figures in Literature which have so long obsessed me. This poor reflection of them passes, as they pass, image by image, eidolon by eidolon, in the flowing stream of my own consciousness. Most books of critical essays take upon themselves, in unpardonable effrontery, to weigh and judge, from their own petty suburban pedestal, the great Shadows they... more...

DICKENS A ‘Frightful Minus’ Mr. Andrew Lang is delightfully severe on those who ‘cannot read Dickens,’ but in truth it is only by accident that he is not himself of that unhappy persuasion.  For Dickens the humourist he has a most uncompromising enthusiasm; for Dickens the artist in drama and romance he has as little sympathy as the most practical.  Of the prose of David Copperfield and Our Mutual Friend, the... more...

CHARLOTTE BRONTË Objection is often raised against realistic biography because it reveals so much that is important and even sacred about a man's life. The real objection to it will rather be found in the fact that it reveals about a man the precise points which are unimportant. It reveals and asserts and insists on exactly those things in a man's life of which the man himself is wholly unconscious; his exact class in society, the... more...