Literary Criticism Books

I. Insomnia, the lack of "tired Nature's sweet restorer," is rapidly becoming the chronic terror of all men of active life who have passed the age of thirty-five or forty years. In early life, while yet he "wears the rose of youth upon him," man rarely, except in sickness, knows the want of sound, undreaming sleep. But as early manhood is left behind and the cares and perplexities... more...

THE ANCIENT PERIOD, FROM THE EARLIEST TIMES TO THE INTRODUCTION OF CHRISTIANITY IN 988. Whether Russia had any literature, or even a distinctive alphabet, previous to the end of the tenth century, is not known. In the year 988, Vladímir, Grand Prince of Kíeff, accepted Christianity for himself and his nation, from Byzantium, and baptized Russia wholesale. Hence his characteristic title in... more...

CHAPTER I THOTH, THE AUTHOR OF EGYPTIAN LITERATURE.WRITING MATERIALS, ETC. The Literature of ancient Egypt is the product of a period of about four thousand years, and it was written in three kinds of writing, which are called hieroglyphic, hieratic, and demotic. In the first of these the characters were pictures of objects, in the second the forms of the characters were made as simple as possible so... more...

INTRODUCTION. In England, as elsewhere, criticism was a late birth of the literary spirit. English poets had sung and literary prose been written for centuries before it struck men to ask themselves, What is the secret of the power that these things have on our mind, and by what principles are they to be judged? And it could hardly have been otherwise. Criticism is a self-conscious art, and could not... more...

PREFACE. The following pages contain nothing new and nothing original, but they do contain a good deal of information gathered from various sources, and brought together under one cover. The book itself may be useful, not, perhaps, to the Professor or to the Orientalist, but to the general reader, and to the student commencing the study of Arabic. To the latter it will give some idea of the vast field... more...

CHAPTER I. A PRELIMINARY VIEW. Anglo-Saxon literature is the oldest of the vernacular literatures of modern Europe; and it is a consequence of this that its relations with Latin literature have been the closest. All the vernacular literatures have been influenced by the Latin, but of Anglo-Saxon literature alone can it be said that it has been subjected to no other influence. This literature was nursed... more...

INTRODUCTION. 1. Tongue, Speech, Language.—We speak of the “English tongue” or of the “French language”; and we say of two nations that they “do not understand each other’s speech.” The existence of these three words—speech, tongue, language—proves to us that a language is something spoken,—that it is a number of sounds; and that the writing or printing of it upon paper is a quite... more...

The proceedings which have now been brought satisfactorily to an end are of a kind which nobody who has sensibility as well as sense can take a part in without some emotion. An illustrious French philosopher who happened to be an examiner of candidates for admission to the Polytechnic School, once confessed that, when a youth came before him eager to do his best, competently taught, and of an apt... more...

CHAPTER I BROWNING AND TENNYSON Parnassus, Apollo's mount, has two peaks, and on these, for sixty years, from 1830 to 1890, two poets sat, till their right to these lofty peaks became unchallenged. Beneath them, during these years, on the lower knolls of the mount of song, many new poets sang; with diverse instruments, on various subjects, and in manifold ways. They had their listeners; the Muses... more...

Mr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through... more...