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PREFACE This book is principally intended for those persons of Cornish nationality who wish to acquire some knowledge of their ancient tongue, and to read, write, and perhaps even to speak it.  Its aim is to represent in an intelligible form the Cornish of the later period, and since it is addressed to the general Cornish public rather than to the skilled philologist, much has been left unsaid that... more...

PREFACE What I aim at in this book is little more than to give complete reflection to those great figures in Literature which have so long obsessed me. This poor reflection of them passes, as they pass, image by image, eidolon by eidolon, in the flowing stream of my own consciousness. Most books of critical essays take upon themselves, in unpardonable effrontery, to weigh and judge, from their own... more...

LITERATURE IN THE NEW CENTURY [This paper was read on September 24th, 1904, in the section of Belles-lettres of the International Congress of the Arts and Sciences, held at St. Louis.] There is no disguising the difficulty of any attempt to survey the whole field of literature as it is disclosed before us now at the opening of a new century; and there is no denying the danger of any effort to declare... more...

A BIBLIOGRAPHY OF ROBERT BROWNING The following list of the published writings of Robert Browning, in the order of their publication, has been compiled mainly from Dr. Furnivall's very complete and serviceable Browning Bibliography, contained in the first part of the Browning Society's Papers (pp. 21-71). Volumes of "Selections" are not noticed in this list: there have been many in... more...

JOSEPH CONRAD "Under all his stories there ebbs and flows a kind of tempered melancholy, a sense of seeking and not finding...." I take the words from a little book on Joseph Conrad by Wilson Follett, privately printed, and now, I believe, out of print. They define both the mood of the stories as works of art and their burden and direction as criticisms of life. Like Dreiser, Conrad is forever... more...

INTRODUCTION The following essay forms the introduction to a famous anthology of the seventeenth century, the Epigrammatum delectus, a Port-Royal textbook published at Paris in 1659. The essay was twice translated into French in the same century, but the use of the text in France did not survive, apparently, the downfall of the Port-Royal movement. It was, however, later adopted by Eton College, where... more...

PREFACE. Although only the grandson of the first of his name, the author of the following interesting specimen of 16th-century criticism came of a family of great antiquity, of so great an antiquity, indeed, as to preclude our tracing it back to its origin. This family was originally known as the “De Botfelds,” but in the 15th century one branch adopted the more humble name of “Thynne,” or... more...

CHAPTER I NATURE AND OFFICE OF CRITICISM 1. Purpose of Literary Study. The study or reading of literature ordinarily has a threefold purpose,—knowledge, pleasure, and culture. This purpose shows us both the character of the literature which should be read and the manner in which it should be read. As a rule we should read only books of recognized excellence, and read them with sympathetic... more...

PREFACE. ore than twenty years have passed since my revered friend Bunsen called me one day into his library at Carlton House Terrace, and announced to me with beaming eyes that the publication of the Rig-veda was secure. He had spent many days in seeing the Directors of the East-India Company, and explaining to them the importance of this work, and the necessity of having it published in England. At... more...

INTRODUCTION These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and... more...

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