G. K. (Gilbert Keith) Chesterton

G. K. (Gilbert Keith) Chesterton
Gilbert Keith Chesterton, often referred to as G.K. Chesterton, was an English writer, philosopher, and critic born on May 29, 1874. Renowned for his witty and insightful prose, he authored the popular "Father Brown" detective series and numerous essays on various topics, including literature, politics, and theology. His works, such as "Orthodoxy" and "The Everlasting Man," have had a lasting influence on Christian apologetics and literary criticism.

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INTRODUCTION It will be very reasonably asked why I should consent, though upon a sort of challenge, to write even a popular essay in English history, who make no pretence to particular scholarship and am merely a member of the public. The answer is that I know just enough to know one thing: that a history from the standpoint of a member of the public has not been written. What we call the popular... more...

I. Introductory Remarks on the Importance of Orthodoxy Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having... more...

Chapter I How the Great Wind Came to Beacon House A wind sprang high in the west, like a wave of unreasonable happiness, and tore eastward across England, trailing with it the frosty scent of forests and the cold intoxication of the sea. In a million holes and corners it refreshed a man like a flagon, and astonished him like a blow. In the inmost chambers of intricate and embowered houses it woke like... more...

LORD KITCHENER Horatio Herbert Kitchener was Irish by birth but English by extraction, being born in County Kerry, the son of an English colonel. The fanciful might see in this first and accidental fact the presence of this simple and practical man amid the more mystical western problems and dreams which were very distant from his mind, an element which clings to all his career and gives it an... more...

Scene: A plantation of thin young trees, in a misty and rainy twilight; some woodland blossom showing the patches on the earth between the stems. The Stranger is discovered, a cloaked figure with a pointed hood. His costume might belong to modern or any other time, and the conical hood is so drawn over the head that little can be seen of the face. A distant voice, a woman's, is heard,... more...

A DEFENCE OF PENNY DREADFULS One of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but... more...

THE MAN WHO KNEW TOO MUCH I. THE FACE IN THE TARGET Harold March, the rising reviewer and social critic, was walking vigorously across a great tableland of moors and commons, the horizon of which was fringed with the far-off woods of the famous estate of Torwood Park. He was a good-looking young man in tweeds, with very pale curly hair and pale clear eyes. Walking in wind and sun in the very landscape... more...

CHAPTER I THE WAY OF THE CITIES It was in the season of Christmas that I came out of my little garden in that "field of the beeches" between the Chilterns and the Thames, and began to walk backwards through history to the place from which Christmas came. For it is often necessary to walk backwards, as a man on the wrong road goes back to a sign-post to find the right road. The modern man is... more...

A DEDICATION TO E.C.B. He was, through boyhood's storm and shower, My best, my nearest friend; We wore one hat, smoked one cigar, One standing at each end. We were two hearts with single hope, Two faces in one hood; I knew the secrets of his youth; I watched his every mood. The little things that none but I Saw were beyond his wont, The streaming hair, the tie behind, The coat tails worn in front.... more...

CHAPTER I. THE TWO POETS OF SAFFRON PARK THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne,... more...

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