Art
- African 1
- Asian 2
- Collecting 1
- Collections, Catalogs, Exhibitions 6
- Criticism 2
- European 8
- General 13
- History 11
- Middle Eastern 1
- Sculpture 4
Art Books
Sort by:
by:
Randall Davies
INTRODUCTORY So far as it concerns pictures painted upon panel or canvas in tempera or oils, the history of painting begins with Cimabue, who worked in Florence during the latter half of the thirteenth century. That the art was practised in much earlier times may readily be admitted, and the life-like portraits in the vestibule at the National Gallery taken from Greek tombs of the second or third...
more...
by:
John Ruskin
LECTURE I. THE DISCOVERY AND APPLICATION OF ART. A Lecture delivered at Manchester, July 10, 1857. 1. Among the various characteristics of the age in which we live, as compared with other ages of this not yet very experienced world, one of the most notable appears to me to be the just and wholesome contempt in which we hold poverty. I repeat, the just and wholesome contempt; though I see that some of...
more...
by:
Laurence Binyon
INTRODUCTION Whatever its outward expression, human thought remains essentially unchanged and, throughout all of its manifestations, is fundamentally the same. Varying phases are but accidents and underneath the divers wrappings of historic periods or different civilizations, the heart as well as the mind of man has been moved by the same desires. Art possesses a unity like that of nature. It is...
more...
CHAPTER I THE BRIDE OF THE ADRIATIC The best approach to Venice—Chioggia—A first view—Another water approach—Padua and Fusina—The railway station—A complete transformation—A Venetian guide-book—A city of a dream. I have no doubt whatever that, if the diversion can be arranged, the perfect way for the railway traveller to approach Venice for the first time is from Chioggia, in the...
more...
by:
Clive Bell
SINCE CÉZANNE With anyone who concludes that this preliminary essay is merely to justify the rather appetizing title of my book I shall be at no pains to quarrel. If privately I think it does more, publicly I shall not avow it. Historically and critically, I admit, the thing is as slight as a sketch contained in five-and-thirty pages must be, and certainly it adds nothing to what I have said, in the...
more...
How the PianoCame To Be From the dried sinews stretched across the shell of a dead tortoise to the concert-grand piano of the present day is a far flight. Yet to this primitive source, it is said, may be traced the evolution of the stringed instrument which reached its culmination in the piano. The latter has been aptly called "the household orchestra," and in tracing its origin one must go far...
more...
THIS exhibition has been arranged with a desire to meet the convenience of those who are interested in manifestations of the arts of different countries over which Islam held sway at one time or other in the past. An effort has been made to show under one roof representative examples of works produced at different epochs and stages of the civilizations referred to, so that they may be seen, and perhaps...
more...
CHAPTER I. Long after the extinction of the practical art-power evolved from the master-minds of Greece and Rome, though rudely shattered by the northern tribes, it failed not to enforce from them an admission of its grandeur. Loving, as all rude nations do, so much of art as goes to the adornment of life, they also felt that there was a still higher aim in the enlarged spirit of classic invention. It...
more...
by:
John Galsworthy
ABOUT CENSORSHIP Since, time and again, it has been proved, in this country of free institutions, that the great majority of our fellow-countrymen consider the only Censorship that now obtains amongst us, namely the Censorship of Plays, a bulwark for the preservation of their comfort and sensibility against the spiritual researches and speculations of bolder and too active spirits—it has become time...
more...
by:
Sarah Tytler
EARLY ITALIAN ART—GIOTTO, 1276-1337—ANDREA PISANO. 1280-1345—ORCAGNA, 1315-1376 GHIBERTI, 1381-1455—MASACCIO, 1402-1428 OR 1429—FRA ANGELICO, 1387-1455. A pencil and paper, a box of colours, and a scrap-book, form so often a child's favourite toys that one might expect that a very large portion of men and women would prove painters. But, as we grow in years and knowledge, the discrepancy...
more...