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CHAPTER I.Egyptian, Assyrian, Hebrew, and Phoenician Dancing. The Ritual Dance of Egypt. Dancing Examples from Tomb of Ur-ari-en-Ptah, 6th Dynasty, British Museum. Description of Dancing from Sir G. Wilkinson; of the Egyptian Pipes and Hieroglyphics of Dancing, &c. Phoenician Round Dances, from a Limestone Group found at Cyprus, and Bronze Patera from Idalium, Cyprus.In this work it is not necessary... more...

Perhaps the most important part of Criticism is the fact that it presents to the creator a problem which is never solved. Criticism is to him a perpetual Presence: or perhaps a ghost which he will not succeed in laying. If he could satisfy his mind that Criticism was a certain thing: a good thing or a bad, a proper presence or an irrelevant, he could psychologically dispose of it. But he can not. For... more...

ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for... more...

I THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME   It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim... more...

INTRODUCTION It is hardly necessary to apologise for the miscellaneous character of the following collection of essays.  Samuel Butler was a man of such unusual versatility, and his interests were so many and so various that his literary remains were bound to cover a wide field.  Nevertheless it will be found that several of the subjects to which he devoted much time and labour are not represented in... more...

I. GENOA I The traveller who on his way to Italy passes along the Riviera di Ponente, through Marseilles, Nice, and Mentone to Ventimiglia, or crossing the Alps touches Italian soil, though scarcely Italy indeed, at Turin, on coming to Genoa finds himself really at last in the South, the true South, of which Genoa la Superba is the gate, her narrow streets, the various life of her port, her picturesque... more...

CHAPTER I ART AND THE DRAMA I always agree with that man who said, “Let me make the nation’s songs and I care not who frames her laws,” or words to that effect, for, in my opinion, nothing so well indicates national character or so keenly accentuates the difference between individuals and nations as the way in which they spend their leisure hours; and the theatres of Japan are thoroughly typical... more...

DIARY OF AN ENNUYÉE. Calais, June 21.—What young lady, travelling for the first time on the Continent, does not write a "Diary?" No sooner have we slept on the shores of France—no sooner are we seated in the gay salon at Dessin's, than we call, like Biddy Fudge, for "French pens and French ink," and forth steps from its case the morocco-bound diary, regularly ruled and paged,... more...

There is a hill-crowned city by a silver sea, near a Golden Gate. For ages the water has washed from an almost land-locked bay against this hill-crowned city, and on its northern side has created of the shore an amphitheatre stretching for some three miles to the western headlands. Behind this amphitheatre rises, in terraces, the steep hills of this water-lashed city, and in part, a forest of pines... more...

CHAPTER I. ARCHITECTURE--CIVIL AND MILITARY. Archaeologists, when visiting Egypt, have so concentrated their attention upon temples and tombs, that not one has devoted himself to a careful examination of the existing remains of private dwellings and military buildings. Few countries, nevertheless, have preserved so many relics of their ancient civil architecture. Setting aside towns of Roman or... more...

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