Art Books

CHAPTER I Venetian painting in its prime differs altogether in character from that of every other part of Italy. The Venetian is the most marked and recognisable of all the schools; its singularity is such that a novice in art can easily, in a miscellaneous collection, sort out the works belonging to it, and added to this unique character is the position it occupies in the domain of art. Venice alone... more...

PREFACE. 1. I must pray the readers of the following Lectures to remember that the duty at present laid on me at Oxford is of an exceptionally complex character. Directly, it is to awaken the interest of my pupils in a study which they have hitherto found unattractive, and imagined to be useless; but more imperatively, it is to define the principles by which the study itself should be guided; and to... more...

LECTURE I. THE DISCOVERY AND APPLICATION OF ART. A Lecture delivered at Manchester, July 10, 1857. 1. Among the various characteristics of the age in which we live, as compared with other ages of this not yet very experienced world, one of the most notable appears to me to be the just and wholesome contempt in which we hold poverty. I repeat, the just and wholesome contempt; though I see that some of... more...

SINCE CÉZANNE With anyone who concludes that this preliminary essay is merely to justify the rather appetizing title of my book I shall be at no pains to quarrel. If privately I think it does more, publicly I shall not avow it. Historically and critically, I admit, the thing is as slight as a sketch contained in five-and-thirty pages must be, and certainly it adds nothing to what I have said, in the... more...

ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for... more...

CHAPTER I ART AND THE DRAMA I always agree with that man who said, “Let me make the nation’s songs and I care not who frames her laws,” or words to that effect, for, in my opinion, nothing so well indicates national character or so keenly accentuates the difference between individuals and nations as the way in which they spend their leisure hours; and the theatres of Japan are thoroughly typical... more...

I. GENOA I The traveller who on his way to Italy passes along the Riviera di Ponente, through Marseilles, Nice, and Mentone to Ventimiglia, or crossing the Alps touches Italian soil, though scarcely Italy indeed, at Turin, on coming to Genoa finds himself really at last in the South, the true South, of which Genoa la Superba is the gate, her narrow streets, the various life of her port, her picturesque... more...

I THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME   It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim... more...

THE NATIONAL GALLERY SITE COMMISSION. Evidence of John Ruskin, Monday, April 6, 1857. 114. Chairman. Has your attention been turned to the desirableness of uniting sculpture with painting under the same roof?—Yes. What is your opinion on the subject?—I think it almost essential that they should be united, if a National Gallery is to be of service in teaching the course of art. Sculpture of all... more...

INTRODUCTION It is a happy memory that associates the foundation of our Royal Academy with the delivery of these inaugural discourses by Sir Joshua Reynolds, on the opening of the schools, and at the first annual meetings for the distribution of its prizes.  They laid down principles of art from the point of view of a man of genius who had made his power felt, and with the clear good sense which is... more...