PREFACE Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in the value of imaginative art has diminished, that... more...

CHAPTER I Mayday afternoon in Oxford Street, and Felix Freeland, a little late, on his way from Hampstead to his brother John's house in Porchester Gardens. Felix Freeland, author, wearing the very first gray top hat of the season. A compromise, that—like many other things in his life and works—between individuality and the accepted view of things, aestheticism and fashion, the critical sense and authority. After the meeting at... more...

THE INN OF TRANQUILLITY Under a burning blue sky, among the pine-trees and junipers, the cypresses and olives of that Odyssean coast, we came one afternoon on a pink house bearing the legend: "Osteria di Tranquillita,"; and, partly because of the name, and partly because we did not expect to find a house at all in those goat-haunted groves above the waves, we tarried for contemplation. To the familiar simplicity of that Italian building there... more...

THE HERO In the year —— there dwelt on Hampstead Heath a small thin gentleman of fifty-eight, gentle disposition, and independent means, whose wits had become somewhat addled from reading the writings and speeches of public men. The castle which, like every Englishman, he inhabited was embedded in lilac bushes and laburnums, and was attached to another castle, embedded, in deference to our national dislike of uniformity, in acacias... more...

QUALITY I knew him from the days of my extreme youth, because he made my father's boots; inhabiting with his elder brother two little shops let into one, in a small by-street-now no more, but then most fashionably placed in the West End. That tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the Royal Family—merely his own German name of Gessler Brothers; and in the window a few pairs of... more...

A NOVELIST'S ALLEGORY Once upon a time the Prince of Felicitas had occasion to set forth on a journey. It was a late autumn evening with few pale stars and a moon no larger than the paring of a finger-nail. And as he rode through the purlieus of his city, the white mane of his amber-coloured steed was all that he could clearly see in the dusk of the high streets. His way led through a quarter but little known to him, and he was surprised to find... more...

ABOUT CENSORSHIP Since, time and again, it has been proved, in this country of free institutions, that the great majority of our fellow-countrymen consider the only Censorship that now obtains amongst us, namely the Censorship of Plays, a bulwark for the preservation of their comfort and sensibility against the spiritual researches and speculations of bolder and too active spirits—it has become time to consider whether we should not... more...

Part I I At the door of St. George's registry office, Charles Clare Winton strolled forward in the wake of the taxi-cab that was bearing his daughter away with "the fiddler fellow" she had married. His sense of decorum forbade his walking with Nurse Betty—the only other witness of the wedding. A stout woman in a highly emotional condition would have been an incongruous companion to his slim, upright figure, moving with just that... more...

THE ROAD The road stretched in a pale, straight streak, narrowing to a mere thread at the limit of vision—the only living thing in the wild darkness. All was very still. It had been raining; the wet heather and the pines gave forth scent, and little gusty shivers shook the dripping birch trees. In the pools of sky, between broken clouds, a few stars shone, and half of a thin moon was seen from time to time, like the fragment of a silver... more...

ACT I The MARCH'S dining-room opens through French windows on one of thosegardens which seem infinite, till they are seen to be coterminouswith the side walls of the house, and finite at the far end, becauseonly the thick screen of acacias and sumachs prevents another housefrom being seen. The French and other windows form practically allthe outer wall of that dining-room, and between them and the screenof trees lies the difference between the... more...