Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
The Eldest Son
by: John Galsworthy
Categories:
Description:
Excerpt
ACT I
SCENE I
The scene is a well-lighted, and large, oak-panelled hall, with
an air of being lived in, and a broad, oak staircase. The
dining-room, drawing-room, billiard-room, all open into it; and
under the staircase a door leads to the servants' quarters. In
a huge fireplace a log fire is burning. There are tiger-skins
on the floor, horns on the walls; and a writing-table against
the wall opposite the fireplace. FREDA STUDDENHAM, a pretty,
pale girl with dark eyes, in the black dress of a lady's-maid,
is standing at the foot of the staircase with a bunch of white
roses in one hand, and a bunch of yellow roses in the other. A
door closes above, and SIR WILLIAM CHESHIRE, in evening dress,
comes downstairs. He is perhaps fifty-eight, of strong build,
rather bull-necked, with grey eyes, and a well-coloured face,
whose choleric autocracy is veiled by a thin urbanity. He
speaks before he reaches the bottom.
SIR WILLIAM. Well, Freda! Nice roses. Who are they for?
FREDA. My lady told me to give the yellow to Mrs. Keith, Sir William, and the white to Miss Lanfarne, for their first evening.
SIR WILLIAM. Capital. [Passing on towards the drawing-room] Your father coming up to-night?
FREDA. Yes.
SIR WILLIAM. Be good enough to tell him I specially want to see him here after dinner, will you?
FREDA. Yes, Sir William.
SIR WILLIAM. By the way, just ask him to bring the game-book in, if he's got it.
He goes out into the drawing-room; and FREDA stands restlessly
tapping her foot against the bottom stair. With a flutter of
skirts CHRISTINE KEITH comes rapidly down. She is a
nice-looking, fresh-coloured young woman in a low-necked dress.
CHRISTINE. Hullo, Freda! How are YOU?
FREDA. Quite well, thank you, Miss Christine—Mrs. Keith, I mean. My lady told me to give you these.
CHRISTINE. [Taking the roses] Oh! Thanks! How sweet of mother!
FREDA. [In a quick, toneless voice] The others are for Miss Lanfarne. My lady thought white would suit her better.
CHRISTINE. They suit you in that black dress.
[FREDA lowers the roses quickly.]
What do you think of Joan's engagement?
FREDA. It's very nice for her.
CHRISTINE. I say, Freda, have they been going hard at rehearsals?
FREDA. Every day. Miss Dot gets very cross, stage-managing.
CHRISTINE. I do hate learning a part. Thanks awfully for unpacking. Any news?
FREDA. [In the same quick, dull voice] The under-keeper, Dunning, won't marry Rose Taylor, after all.
CHRISTINE. What a shame! But I say that's serious. I thought there was—she was—I mean——
FREDA. He's taken up with another girl, they say.
CHRISTINE. Too bad! [Pinning the roses] D'you know if Mr. Bill's come?
FREDA. [With a swift upward look] Yes, by the six-forty.
RONALD KEITH comes slowly down, a weathered firm-lipped man, in
evening dress, with eyelids half drawn over his keen eyes, and
the air of a horseman.
KEITH. Hallo! Roses in December. I say, Freda, your father missed a wigging this morning when they drew blank at Warnham's spinney. Where's that litter of little foxes...?