Poetry Books

AN A D D R E S S Gentlemen, S Nature hath been so very Indulgent to ye, as to stock your Gardens with Trees of the largest Growth, for which Reason ye are caress'd, whilst Men of less Parts, tho' in some Things more deserving, are laugh'd at, and excluded all Company. As all Infants, especially of the Female Sex, are much delighted with Fruit, so as their Years and other Appetites... more...

I propose to treat of Poetry in itself and of its various kinds, noting the essential quality of each; to inquire into the structure of the plot as requisite to a good poem; into the number and nature of the parts of which a poem is composed; and similarly into whatever else falls within the same inquiry. Following, then, the order of nature, let us begin with the principles which come first. Epic... more...

BEING A WORD ON BEHALF OF PATCHOULI. AN ingenuous reviewer once described some verses of mine as "unwholesome," because, he said, they had "a faint smell of Patchouli about them." I am a little sorry he chose Patchouli, for that is not a particularly favourite scent with me. If he had only chosen Peau d'Espagne, which has a subtle meaning, or Lily of the Valley, with which I have... more...

WITH PIPE AND BOOK. With Pipe and Book at close of day, Oh, what is sweeter, mortal, say? It matters not what book on knee, Old Izaak or the Odyssey, It matters not meerschaum or clay. And though one's eyes will dream astray, And lips forget to sue or sway, It is "enough to merely be," With Pipe and Book. What though our modern skies be gray, As bards aver, I will not pray For... more...

Book I THE GODS IN COUNCIL—MINERVA'S VISIT TO ITHACA—THE CHALLENGE FROM TELEMACHUS TO THE SUITORS. Tell me, O Muse, of that ingenious hero who travelled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his... more...

CANTO XVIII THERE is a place within the depths of hellCall'd Malebolge, all of rock dark-stain'dWith hue ferruginous, e'en as the steepThat round it circling winds.  Right in the midstOf that abominable region, yawnsA spacious gulf profound, whereof the frameDue time shall tell.  The circle, that remains,Throughout its round, between the gulf and baseOf the high craggy banks,... more...

INTRODUCTION I. THE AGE WHICH PRODUCED THE FAERIE QUEENE The study of the Faerie Queene should be preceded by a review of the great age in which it was written. An intimate relation exists between the history of the English nation and the works of English authors. This close connection between purely external events and literary masterpieces is especially marked in a study of the Elizabethan Age. To... more...

GEORGIC I What makes the cornfield smile; beneath what starMaecenas, it is meet to turn the sodOr marry elm with vine; how tend the steer;What pains for cattle-keeping, or what proofOf patient trial serves for thrifty bees;-Such are my themes.O universal lightsMost glorious! ye that lead the gliding yearAlong the sky, Liber and Ceres mild,If by your bounty holpen earth once changedChaonian acorn for... more...

INTRODUCTORY The New Influences and Tendencies Mere statistics are untrustworthy; dates are even less dependable. But, to avoid hairsplitting, what we call "modern" English literature may be said to date from about 1885. A few writers who are decidedly "of the period" are, as a matter of strict chronology, somewhat earlier. But the chief tendencies may be divided into seven periods.... more...

MY MOTHER'S KISS.   My mother's kiss, my mother's kiss,     I feel its impress now;  As in the bright and happy days     She pressed it on my brow.   You say it is a fancied thing     Within my memory fraught;  To me it has a sacred place—     The treasure house of thought.   Again, I feel her fingers glide     Amid my clustering hair;  I see the... more...