LES DEMOISELLES DE SAUVE TO S. A. S. ALICE, PRINCESSE DE MONACO Beautiful ladies through the orchard pass;Bend under crutched-up branches, forked and low;Trailing their samet palls o'er dew-drenched grass. Pale blossoms, looking on proud Jacqueline,Blush to the colour of her finger tips,And rosy knuckles, laced with yellow lace. High-crested Berthe discerns, with slant, clinched eyes,Amid the leaves pink faces of the skies;She locks her... more...

I Strings in the earth and airMake music sweet;Strings by the river whereThe willows meet.There's music along the riverFor Love wanders there,Pale flowers on his mantle,Dark leaves on his hair.All softly playing,With head to the music bent,And fingers strayingUpon an instrument. II The twilight turns from amethystTo deep and deeper blue,The lamp fills with a pale green glowThe trees of the avenue.The old piano plays an air,Sedate and slow... more...

INTRODUCTION When a poem is read aloud it is easy to realize that poetry is closely related to music. Like music it awakens vague, mysterious feelings which cannot be expressed in ordinary speech; and the person who fails to catch the subtle melody of a poem gets but little from it even though he understands perfectly the meaning of the words. To illustrate this, put into commonplace prose a passage of beautiful verse,—for instance, lines... more...

[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that transfigured world this new poetry takes possession,... more...

ON THE LIFE AND POETIC GENIUS OF EDWARD YOUNG. Between the period of George Herbert, and that of Edward Young, some singular changes had taken place in British poetry as well as in British manners, politics, and religion. There had passed over the land the thunderstorm of the Puritanic Revolt, which had first clouded and then cleared, for a season, the intellectual and moral horizon. The effect of this on poetry was, for such fugitive though... more...

Th' Better Part. A poor owd man wi' tott'ring gait,Wi' body bent, and snowy pate,Aw met one day;—An' daan o' th' rooad side grassy banksHe sat to rest his weary shanks;An' aw, to wile away my time,O'th' neighbouring hillock did recline,An' bade "gooid day." Said aw, "Owd friend, pray tell me true,If in your heart yo niver rueThe time 'ats past?Does envy niver fill your breastWhen passin fowk wi' riches blest?An' do yo niver think it... more...

Poetry. Bite Bigger. As aw hurried throo th' taan to mi wark,(Aw wur lat, for all th' whistles had gooan,)Aw happen'd to hear a remark,'At ud fotch tears throo th' heart ov a stooan—It wur raanin, an' snawin, and cowd,An' th' flagstoans wur covered wi' muck,An' th' east wind booath whistled an' howl'd,It saanded like nowt but ill luck;When two little lads, donn'd i' rags,Baght stockins or shoes o' ther feet,Coom trapesin away ower th'... more...

ALUN. John Blackwell (Alun), was born of very poor parents at Mold in 1797.  Beginning life as a shoe-maker, his successes at the Eisteddfods of Ruthin and Mold in 1823 attracted the attention of the gentry of the neighbourhood, and a fund was formed to send him to the University.  He took his degree from Jesus College, Oxford, in 1828, and died rector of Manordeifi 1840.  His works were published under the title of “Ceinion... more...

I.  FROM FREDERICK GRAHAM. Mother, I smile at your alarms!I own, indeed, my Cousin’s charms,But, like all nursery maladies,Love is not badly taken twice.Have you forgotten Charlotte Hayes,My playmate in the pleasant daysAt Knatchley, and her sister, Anne,The twins, so made on the same plan,That one wore blue, the other white,To mark them to their father’s sight;And how, at Knatchley harvesting,You bade me kiss her in the... more...

No species of poetry is more ancient than the lyrical, and yet none shows so little sign of having outlived the requirements of human passion. The world may grow tired of epics and of tragedies, but each generation, as it sees the hawthorns blossom and the freshness of girlhood expand, is seized with a pang which nothing but the spasm of verse will relieve. Each youth imagines that spring-tide and love are wonders which he is the first of human... more...