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[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...

INTRODUCTION [The Dramatic Romances,...] enriched by some of the poems originally printed in Men and Women, and a few from Dramatic Lyrics as first printed, include some of Browning's finest and most characteristic work. In several of them the poet displays his familiarity with the life and spirit of the Renaissance—a period portrayed by him with a fidelity more real than history—for he enters... more...

INTRODUCTION. As if pointing to a condition of primeval happiness, Poetry has been the first language of nations. The Lyric Muse has especially chosen the land of natural sublimity, of mountain and of flood; and such scenes she has only abandoned when the inhabitants have sacrificed their national liberties. Edward I., who massacred the Minstrels of Wales, might have spared the butchery, as their... more...

JOHN SKINNER. Among those modern Scottish poets whose lives, by extending to a considerably distant period, render them connecting links between the old and recent minstrelsy of Caledonia, the first place is due to the Rev. John Skinner. This ingenious and learned person was born on the 3d of October 1721, at Balfour, in the parish of Birse, and county of Aberdeen. His father, who bore the same... more...

DEDICATION TO MY MOTHER Love that holds life and death in fee,Deep as the clear unsounded seaAnd sweet as life or death can be,Lays here my hope, my heart, and meBefore you, silent, in a song.Since the old wild tale, made new, found grace,When half sung through, before your face,It needs must live a springtide space,While April suns grow strong. March 24, 1896. In hawthorn-time the heart grows... more...

It is exceedingly difficult to settle the exact place of, as well as to compute the varied influences wielded by, a great original genius. Every such mind borrows so much from his age and from the past, as well as communicates so much from his own native stores, that it is difficult to determine whether he be more the creature or the creator of his period. But, ere determining the influence exerted by... more...

Select English Classics which the publishers have in course of preparation. The series will include an extensive variety of selections chosen from the different departments of English literature, and arranged and annotated for the use of classes in schools. It will embrace, among other things, representative specimens from all the best English writers, whether of poetry or of prose; selections from... more...

MICHAEL A PASTORAL POEM   If from the public way you turn your steps  Up the tumultuous brook of Green-head Ghyll,  You will suppose that with an upright path  Your feet must struggle; in such bold ascent  The pastoral mountains front you, face to face.  But, courage! for around that boisterous brook  The mountains have all opened out themselves,  And made a hidden valley of their... more...

PREFACE. The First Volume of these Poems has already been submitted to general perusal. It was published, as an experiment which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to... more...

MOLLIE CHARANE “O, Mollie Charane, where got you your gold?”   Lone, lone you have left me here.“O not in the curragh, deep under the mould.”   Lone, lone, and void of cheer. “O, Mollie Charane, where got you your stock?”   Lone, lone you have left me here.“O not in the curragh from under a block.”   Lone, lone, and void of cheer. “O, Mollie Charane, where got you your... more...

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