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Showing: 1-10 results of 1769

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CASTING ON WITH ONE NEEDLE The first process in knitting is known by the term CASTING ON. There are two ways of doing this: with one needle, and with two. Our first diagram represents the former process. Take the thread between the second and third fingers of the left hand, leaving an end of about a yard for every hundred stitches; pass it round the thumb of that hand, giving it a twist, so as to form a loop. Take a knitting-needle in the right... more...

IINTRODUCTION The best things in an artist's work are so much a matter of intuition, that there is much to be said for the point of view that would altogether discourage intellectual inquiry into artistic phenomena on the part of the artist. Intuitions are shy things and apt to disappear if looked into too closely. And there is undoubtedly a danger that too much knowledge and training may supplant the natural intuitive feeling of a student,... more...

I THE POWER OF THE DEAD TO RETURN TO EARTH Though there is no period at which the ancients do not seem to have believed in a future life, continual confusion prevails when they come to picture the existence led by man in the other world, as we see from the sixth book of the Æneid. Combined with the elaborate mythology of Greece, we are confronted with the primitive belief of Italy, and doubtless of Greece too—a belief supported by... more...

EDITOR'S PREFACE Needlework, which is still practised traditionally in every house, was once a splendid art, an art in which English workers were especially famous, so that, early in the XIIIth century, vestments embroidered in England were eagerly accepted in Rome, and the kind of work wrought here was known over Europe as "English Work." Embroideries façon d'Angleterre often occupy the first place in foreign inventories. At Durham are... more...

THE ALLEGED HAUNTINGOF B—— HOUSE It was in 1892 that Lord Bute first heard of the matter. It was not, as stated by The Times correspondent in that journal for June 8, 1897, in or from London, but at Falkland, in Fifeshire, and in the following manner:— There is no public chapel at Falkland, and the private chapel in the house is attended by a variety of priests, who usually come only from Saturday to Monday. Lord Bute's... more...


Letter I: Two months at sea—Melbourne. Port Phillip Hotel, Melbourne. September 22d, 1865. .... Now I must give you an account of our voyage: it has been a very quick one for the immense distance traversed, sometimes under canvas, but generally steaming. We saw no land between the Lizard and Cape Otway light—that is, for fifty-seven days: and oh, the monotony of that time!—the monotony of it! Our decks were so crowded that we... more...

I. Egyptian Looms. HORIZONTAL LOOMS. IN the tomb of Chnem-hotep, at Beni Hasan, there is a wall painting of a horizontal loom with two weavers, women, squatting on either side, and at the right in the background is drawn the figure of the taskmaster. There are also figures represented in the act of spinning, etc. For the present we are concerned with the weaving only.   Fig. 1.—Horizontal Loom, Tomb of Chnem-hotep, from the... more...

INTRODUCTION. Nothing is more usual and more natural for those, who pretend to discover anything new to the world in philosophy and the sciences, than to insinuate the praises of their own systems, by decrying all those, which have been advanced before them. And indeed were they content with lamenting that ignorance, which we still lie under in the most important questions, that can come before the tribunal of human reason, there are few, who... more...

CHAPTER I WHAT IS A PHOTOPLAY? As its title indicates, this book aims to teach the theory and practice of photoplay construction. This we shall attempt by first pointing out its component parts, and then showing how these parts are both constructed and assembled so as to form a strong, well-built, attractive and salable manuscript. The Photoplay Defined and Differentiated A photoplay is a story told largely in pantomime by players, whose... more...

INTRODUCTION Sir Thomas More, son of Sir John More, a justice of the King’s Bench, was born in 1478, in Milk Street, in the city of London.  After his earlier education at St. Anthony’s School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor.  It was not unusual for persons of wealth or influence and sons of good families to be so... more...