Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 47
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 27
- Computers 4
- Cooking 94
- Crafts & Hobbies 3
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 39
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Sort by:
by:
John Galsworthy
ACT I The SCENE is the pretty drawing-room of a flat. There are twodoors, one open into the hall, the other shut and curtained.Through a large bay window, the curtains of which are not yetdrawn, the towers of Westminster can be seen darkening in asummer sunset; a grand piano stands across one corner. Theman-servant PAYNTER, clean-shaven and discreet, is arranging twotables for Bridge. BURNEY, the maid,...
more...
by:
John Galsworthy
ACT I The time is morning, and the scene a level lawn, beyond whichthe river is running amongst fields. A huge old beech treeovershadows everything, in the darkness of whose hollow manythings are hidden. A rustic seat encircles it. A low wallclothed in creepers, with two openings, divides this lawn fromthe flowery approaches to the house. Close to the wall there isa swing. The sky is clear and sunny....
more...
by:
John Galsworthy
PREFACE Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in...
more...
by:
John Galsworthy
SCENE I It is just after sunset of an August evening. The scene is aroom in a mountain hut, furnished only with a table, benches.and a low broad window seat. Through this window three rockypeaks are seen by the light of a moon which is slowly whiteningthe last hues of sunset. An oil lamp is burning. SEELCHEN, amountain girl, eighteen years old, is humming a folk-song, andputting away in a cupboard...
more...
by:
John Galsworthy
HALL-MARKED The scene is the sitting-room and verandah of HER bungalow. The room is pleasant, and along the back, where the verandahruns, it seems all window, both French and casement. There is adoor right and a door left. The day is bright; the timemorning. [HERSELF, dripping wet, comes running along the verandah,through the French window, with a wet Scotch terrier in herarms. She vanishes through the...
more...
by:
John Galsworthy
A PARTY AT WORSTED SKEYNES The year was 1891, the month October, the day Monday. In the dark outside the railway-station at Worsted Skeynes Mr. Horace Pendyce's omnibus, his brougham, his luggage-cart, monopolised space. The face of Mr. Horace Pendyce's coachman monopolised the light of the solitary station lantern. Rosy-gilled, with fat close-clipped grey whiskers and inscrutably pursed...
more...
by:
John Galsworthy
ACT I It is Ascension Day in a village of the West. In the lowpanelled hall-sittingroom of the BURLACOMBE'S farmhouse on thevillage green, MICHAEL STRANGWAY, a clerical collar round histhroat and a dark Norfolk jacket on his back, is playing theflute before a very large framed photograph of a woman, which isthe only picture on the walls. His age is about thirty-five hisfigure thin and very upright...
more...
by:
John Galsworthy
CHAPTER I Light, entering the vast room—a room so high that its carved ceiling refused itself to exact scrutiny—travelled, with the wistful, cold curiosity of the dawn, over a fantastic storehouse of Time. Light, unaccompanied by the prejudice of human eyes, made strange revelation of incongruities, as though illuminating the dispassionate march of history. For in this dining hall—one of the...
more...
by:
John Galsworthy
AWAKENING Through the massive skylight illuminating the hall at Robin Hill, the July sunlight at five o'clock fell just where the broad stairway turned; and in that radiant streak little Jon Forsyte stood, blue-linen-suited. His hair was shining, and his eyes, from beneath a frown, for he was considering how to go downstairs, this last of innumerable times, before the car brought his father and...
more...
by:
John Galsworthy
PREFACE: "The Forsyte Saga" was the title originally destined for that part of it which is called "The Man of Property"; and to adopt it for the collected chronicles of the Forsyte family has indulged the Forsytean tenacity that is in all of us. The word Saga might be objected to on the ground that it connotes the heroic and that there is little heroism in these pages. But it is used...
more...