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G. K. (Gilbert Keith) Chesterton

Gilbert Keith Chesterton, often referred to as G.K. Chesterton, was an English writer, philosopher, and critic born on May 29, 1874. Renowned for his witty and insightful prose, he authored the popular "Father Brown" detective series and numerous essays on various topics, including literature, politics, and theology. His works, such as "Orthodoxy" and "The Everlasting Man," have had a lasting influence on Christian apologetics and literary criticism.
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I Once upon a time there lived upon an island a merry and innocent people, mostly shepherds and tillers of the earth. They were republicans, like all primitive and simple souls; they talked over their affairs under a tree, and the nearest approach they had to a personal ruler was a sort of priest or white witch who said their prayers for them. They worshipped the sun, not idolatrously, but as the...
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CHARLOTTE BRONTË Objection is often raised against realistic biography because it reveals so much that is important and even sacred about a man's life. The real objection to it will rather be found in the fact that it reveals about a man the precise points which are unimportant. It reveals and asserts and insists on exactly those things in a man's life of which the man himself is wholly...
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Chapter 1. The Tremendous Adventures of Major Brown Rabelais, or his wild illustrator Gustave Dore, must have had something to do with the designing of the things called flats in England and America. There is something entirely Gargantuan in the idea of economising space by piling houses on top of each other, front doors and all. And in the chaos and complexity of those perpendicular streets anything...
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I. A DISCUSSION SOMEWHAT IN THE AIR The flying ship of Professor Lucifer sang through the skies like a silver arrow; the bleak white steel of it, gleaming in the bleak blue emptiness of the evening. That it was far above the earth was no expression for it; to the two men in it, it seemed to be far above the stars. The professor had himself invented the flying machine, and had also invented nearly...
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CHAPTER I BROWNING IN EARLY LIFE On the subject of Browning's work innumerable things have been said and remain to be said; of his life, considered as a narrative of facts, there is little or nothing to say. It was a lucid and public and yet quiet life, which culminated in one great dramatic test of character, and then fell back again into this union of quietude and publicity. And yet, in spite of...
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BOOK I. THE VISION OF THE KING Before the gods that made the godsHad seen their sunrise pass,The White Horse of the White Horse ValeWas cut out of the grass. Before the gods that made the godsHad drunk at dawn their fill,The White Horse of the White Horse ValeWas hoary on the hill. Age beyond age on British land,Aeons on aeons gone,Was peace and war in western hills,And the White Horse looked on. For...
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I. Introductory Remarks on the Importance of Orthodoxy Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having...
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I INTRODUCTION IN DEFENCE OF EVERYTHING ELSE THE only possible excuse for this book is that it is an answer to a challenge. Even a bad shot is dignified when he accepts a duel. When some time ago I published a series of hasty but sincere papers, under the name of "Heretics," several critics for whose intellect I have a warm respect (I may mention specially Mr. G.S.Street) said that it was all...
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A SONG OF SWORDS "A drove of cattle came into a village called Swords; and was stopped by the rioters."—Daily Paper. In the place called Swords on the Irish roadIt is told for a new renownHow we held the horns of the cattle, and howWe will hold the horns of the devils nowEre the lord of hell with the horn on his browIs crowned in Dublin town. Light in the East and light in the West,And light...
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INTRODUCTION A section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyère cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood—along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time...
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