Scene: A plantation of thin young trees, in a misty and rainy twilight; some woodland blossom showing the patches on the earth between the stems. The Stranger is discovered, a cloaked figure with a pointed hood. His costume might belong to modern or any other time, and the conical hood is so drawn over the head that little can be seen of the face. A distant voice, a woman's, is heard,... more...

The Problem of a Preface A peculiar difficulty arrests the writer of this rough study at the very start. Many people know Mr. Bernard Shaw chiefly as a man who would write a very long preface even to a very short play. And there is truth in the idea; he is indeed a very prefatory sort of person. He always gives the explanation before the incident; but so, for the matter of that, does the Gospel of St.... more...

A DEFENCE OF PENNY DREADFULS One of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but... more...

CHAPTER I THE WAY OF THE CITIES It was in the season of Christmas that I came out of my little garden in that "field of the beeches" between the Chilterns and the Thames, and began to walk backwards through history to the place from which Christmas came. For it is often necessary to walk backwards, as a man on the wrong road goes back to a sign-post to find the right road. The modern man is... more...

A DEDICATION TO E.C.B. He was, through boyhood's storm and shower, My best, my nearest friend; We wore one hat, smoked one cigar, One standing at each end. We were two hearts with single hope, Two faces in one hood; I knew the secrets of his youth; I watched his every mood. The little things that none but I Saw were beyond his wont, The streaming hair, the tie behind, The coat tails worn in front.... more...

THREE DEDICATIONS TO EDMUND CLERIHEW BENTLEY THE DEDICATION OF THE MAN WHO WAS THURSDAY A cloud was on the mind of men, and wailing went the weather,Yea, a sick cloud upon the soul when we were boys together.Science announced nonentity and art admired decay;The world was old and ended: but you and I were gay.Round us in antic order their crippled vices came—Lust that had lost its laughter, fear that... more...

BY THE BABE UNBORN If trees were tall and grasses short,  As in some crazy tale,If here and there a sea were blue  Beyond the breaking pale, If a fixed fire hung in the air  To warm me one day through,If deep green hair grew on great hills,  I know what I should do. In dark I lie: dreaming that there  Are great eyes cold or kind,And twisted streets and silent doors,  And living men behind.... more...

THE CASE FOR THE EPHEMERAL I cannot understand the people who take literature seriously; but I can love them, and I do. Out of my love I warn them to keep clear of this book. It is a collection of crude and shapeless papers upon current or rather flying subjects; and they must be published pretty much as they stand. They were written, as a rule, at the last moment; they were handed in the moment before... more...

When I first met Belloc he remarked to the friend who introduced us that he was in low spirits. His low spirits were and are much more uproarious and enlivening than anybody else's high spirits. He talked into the night; and left behind in it a glowing track of good things. When I have said that I mean things that are good, and certainly not merely bons mots, I have said all that can be said in... more...

INTRODUCTION A section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyère cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood—along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time... more...