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Arthur Thomas Quiller-Couch
Arthur Thomas Quiller-Couch (1863-1944) was a renowned British writer and literary critic, best known for his influential work on English literature. He authored the classic "The Oxford Book of English Verse" and significantly contributed to the field of literary studies through his lectures at the University of Cambridge, where he held the position of King Edward VII Professor of English Literature. Quiller-Couch, often writing under the pen name "Q," was also a prolific novelist and short story writer, celebrated for his skillful storytelling and keen insight into human nature.
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CHAPTER I. I FIND MYSELF A FOUNDLING. My earliest recollections are of a square courtyard surrounded by high walls and paved with blue and white pebbles in geometrical patterns—circles, parallelograms, and lozenges. Two of these walls were blank, and had been coped with broken bottles; a third, similarly coped, had heavy folding doors of timber, leaden-grey in colour and studded with black...
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LECTURE I. INAUGURAL Wednesday, January 29, 1913 In all the long quarrel set between philosophy and poetry I know of nothing finer, as of nothing more pathetically hopeless, than Plato's return upon himself in his last dialogue 'The Laws.' There are who find that dialogue (left unrevised) insufferably dull, as no doubt it is without form and garrulous. But I think they will read it with...
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CHAPTER I. ROSEWARNE OF HALL. John Rosewarne sat in his counting-house at Hall, dictating a letter to his confidential clerk. The letter ran— "Dear Sir,—In answer to yours of the 6th inst., I beg to inform you that in consequence of an arrangement with the Swedish firms, by which barrel-staves will be trimmed and finished to three standard lengths before shipment, we are enabled to offer an...
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OCEANUS I My Dear Violet,—So you "gather from the tone of two or three recent letters that my spirit is creeping back to light and warmth again"? Well, after a fashion you are right. I shall never laugh again as I used to laugh before Harry's death. The taste has gone out of that carelessness, and I turn even from the remembrance of it. But I can be cheerful, with a cheerfulness which...
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THE ROLL-CALL OF THE REEF. "Yes, sir," said my host the quarryman, reaching down the relics from their hook in the wall over the chimney-piece; "they've hung there all my time, and most of my father's. The women won't touch 'em; they're afraid of the story. So here they'll dangle, and gather dust and smoke, till another tenant comes and tosses 'em out...
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PROLOGUE. Beside a winding creek of the Lynher River, and not far from the Cornish borough of Saltash, you may find a roofless building so closely backed with cherry-orchards that the trees seem by their slow pressure to be thrusting the mud-walls down to the river's brink, there to topple and fall into the tide. The old trees, though sheeted with white blossom in the spring, bear little fruit,...
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CHAPTER I. HOW THE CHILDREN PLAYED. When news of the War first came to Polpier, Nicholas Nanjivell (commonly known as Nicky-Nan) paid small attention to it, being preoccupied with his own affairs. Indeed, for some days the children knew more about it than he, being tragically concerned in it—poor mites!—though they took it gaily enough. For Polpier lives by the fishery, and of the fishermen a large...
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AUDIENCE AND INTERLOCUTORS. Lieut. John Polkinghorne. R.F.A., of the Battery.Sec. Lieut. Samuel Barham, M.C. R.F.A., of the Battery.Sec. Lieut. Percy Yarrell-Smith. R.F.A., of the BatterySec Lieut. Noel Williams, R.F.A., attached for instruction. But military duties usually restricted the audience to two at a time, though there were three on the night when Barham (Sammy) set his C.O. going with a...
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IN A COLLEGE GARDEN. Senex. Saye, cushat, callynge from the brake, What ayles thee soe to pyne? Thy carefulle heart shall cease to ake When dayes be fyne And greene thynges twyne: Saye, cushat, what thy griefe to myne? Turtur. Naye,...
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CHAPTER I. Whatever claims this story may have upon the notice of the world, they will rest on no niceties of style or aptness of illustration. It is a plain tale, plainly told: nor, as I conceive, does its native horror need any ingenious embellishment. There are many books that I, though a man of no great erudition, can remember, which gain much of interest from the pertinent and appropriate comments...
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