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INTRODUCTION These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and... more...

INTRODUCTION THE NORMALITY OF MR WELLS In his Preface to the Unpleasant Plays, Mr Shaw boasts his possession of "normal sight." The adjective is the oculist's, and the application of it is Mr Shaw's, but while the phrase is misleading until it is explained to suit a particular purpose, it has a pleasing adaptability, and I can find none better as a key to the works of Mr H.G. Wells.... more...

CHAUCER March 17, 1894. Professor Skeat's Chaucer. After twenty-five years of close toil, Professor Skeat has completed his great edition of Chaucer. It is obviously easier to be dithyrambic than critical in chronicling this event; to which indeed dithyrambs are more appropriate than criticism. For when a man writes Opus vitæ meæ at the conclusion of such a task as this, and so lays down his... more...

The Supreme Literary Gift When we have been reading some transcendent passage in one of the world's masterpieces we experience that mental sensation which Longinus declares to be the test of true sublimity, to wit, our mind "undergoes a kind of proud elation and delight, as if it had itself begotten the thing we read." We are disposed by such literature very much as we are disposed by the... more...

PREFACE. The following treatise was awarded the Harness Prize at Cambridge in 1904. I have, however, revised it since then, and in some matters considerably enlarged it. A list of the chief authorities to whom I am indebted will be found at the end of the book, but it is fitting that I should here make particular mention of my obligations to the exhaustive work of Mr Bond. Not only have his labours of... more...

OMAR CAYENNE IWake! For the Hack can scatter into flightShakespere and Dante in a single Night!The Penny-a-liner is Abroad, and strikesOur Modern Literature with blithering Blight.Before Historical Romances died,Methought a Voice from Art's Olympus cried,"When all Dumas and Scott is still for Sale,Why nod o'er drowsy Tales, by Tyros tried?" IIIA cock-sure Crew with Names ne'er... more...

BIBLIOGRAPHICAL The papers collected here under the name of 'My Literary Passions' were printed serially in a periodical of such vast circulation that they might well have been supposed to have found there all the acceptance that could be reasonably hoped for them. Nevertheless, they were reissued in a volume the year after they first appeared, in 1895, and they had a pleasing share of such... more...

The question of a final criterion for the appreciation of art is one that perpetually recurs to those interested in any sort of aesthetic endeavor. Mr. John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into... more...

Introduction What little is known of the life of Samuel Cobb (1675-1713) may be found in the brief article in the Dictionary of National Biography by W.P. Courtney. He was born in London, and educated at Christ's Hospital and at Trinity College, Cambridge, where he obtained the degrees of B.A., 1698, and M.A., 1702. He was appointed "under grammar master" at Christ's Hospital in 1702... more...

INTRODUCTORYThehabit, to which we are so much addicted, of writing books about other people who have written books, will probably be a source of intense discomfort to its practitioners in the twenty-first century. Like the rest of their kind, they will pin their ambition to the possibility of indulging in epigram at the expense of their contemporaries. In order to lead up to the achievement of this... more...