William Dean Howells

William Dean Howells
William Dean Howells was an influential American realist author and literary critic, often referred to as the "Dean of American Letters." He was known for his novels depicting middle-class life, such as "The Rise of Silas Lapham" and for his advocacy of realism in literature. Howells also served as editor of "The Atlantic Monthly," where he championed contemporary writers like Mark Twain and Henry James.

Author's Books:

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I. The Kentons were not rich, but they were certainly richer than the average in the pleasant county town of the Middle West, where they had spent nearly their whole married life. As their circumstances had grown easier, they had mellowed more and more in the keeping of their comfortable home, until they hated to leave it even for the short outings, which their children made them take, to Niagara or... more...

Mrs. Edward Roberts: "Now, my dear, Amy and I will get there early, so as to make up for your coming a little late, but you must be there for the last half, at least. I would excuse you altogether if I could, for I know you must be dead tired, up all night, that way, on the train, but Mrs. Miller is one of those people who never can listen to reason, and she would take deadly offence if you missed... more...

Northwick's man met him at the station with the cutter. The train was a little late, and Elbridge was a little early; after a few moments of formal waiting, he began to walk the clipped horses up and down the street. As they walked they sent those quivers and thrills over their thin coats which horses can give at will; they moved their heads up and down, slowly and easily, and made their bells... more...

The question of a final criterion for the appreciation of art is one that perpetually recurs to those interested in any sort of aesthetic endeavor. Mr. John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into... more...

INTRODUCTORY SKETCH. In one of the old-fashioned books for children there was a story of the adventures of a cent (or perhaps that coin of older lineage, a penny) told by itself, which came into my mind when the publishers suggested that the readers of a new edition of this book might like to know how it happened to be written. I promptly fancied the book speaking, and taking upon itself the burden of... more...

LITERARY FRIENDS AND ACQUAINTANCES—First Visit to New EnglandBIBLIOGRAPHICAL Long before I began the papers which make up this volume, I had meant to write of literary history in New England as I had known it in the lives of its great exemplars during the twenty-five years I lived near them. In fact, I had meant to do this from the time I came among them; but I let the days in which I almost... more...

I. In the best room of a farm-house on the skirts of a village in the hills of Northern Massachusetts, there sat one morning in August three people who were not strangers to the house, but who had apparently assembled in the parlor as the place most in accord with an unaccustomed finery in their dress. One was an elderly woman with a plain, honest face, as kindly in expression as she could be perfectly... more...

Jackson kept his promise to write to Westover, but he was better than his word to his mother, and wrote to her every week that winter. "I seem just to live from letter to letter. It's ridic'lous," she said to Cynthia once when the girl brought the mail in from the barn, where the men folks kept it till they had put away their horses after driving over from Lovewell with it. The trains... more...

The young actor who thought he saw his part in Maxwell's play had so far made his way upward on the Pacific Coast that he felt justified in taking the road with a combination of his own. He met the author at a dinner of the Papyrus Club in Boston, where they were introduced with a facile flourish of praise from the journalist who brought them together, as the very men who were looking for each... more...

MRS. Amy Somers, in a lightly floating tea-gown of singularly becoming texture and color, employs the last moments of expectance before the arrival of her guests in marching up and down in front of the mirror which fills the space between the long windows of her drawing-room, looking over either shoulder for different effects of the drifting and eddying train, and advancing upon her image with certain... more...

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