William Dean Howells

PONY’S MOTHER, AND WHY HE HAD A RIGHT TO RUN OFF If there was any fellow in the Boy’s Town fifty years ago who had a good reason to run off it was Pony Baker. Pony was not his real name; it was what the boys called him, because there were so many fellows who had to be told apart, as Big Joe and Little Joe, and Big John and Little John, and Big Bill and Little Bill, that they got tired of telling... more...

Not long after Lent, Fulkerson set before Dryfoos one day his scheme for a dinner in celebration of the success of 'Every Other Week.' Dryfoos had never meddled in any manner with the conduct of the periodical; but Fulkerson easily saw that he was proud of his relation to it, and he proceeded upon the theory that he would be willing to have this relation known: On the days when he had been... more...

"You need the rest," said the Business End; "and your wife wants you to go, as well as your doctor. Besides, it's your Sabbatical year, and you, could send back a lot of stuff for the magazine." "Is that your notion of a Sabbatical year?" asked the editor. "No; I throw that out as a bait to your conscience. You needn't write a line while you're gone. I wish... more...

My recollections of Bret Harte begin with the arrest, on the Atlantic shore, of that progress of his from the Pacific Slope, which, in the simple days of 1871, was like the progress of a prince, in the universal attention and interest which met and followed it. He was indeed a prince, a fairy prince in whom every lover of his novel and enchanting art felt a patriotic property, for his promise and... more...

SCENE: One side of a sleeping-car on the Boston and Albany Road.  The curtains are drawn before most of the berths; from the hooks and rods hang hats, bonnets, bags, bandboxes, umbrellas, and other travelling gear; on the floor are boots of both sexes, set out for THE PORTER to black.  THE PORTER is making up the beds in the upper and lower berths adjoining the seats on which a young mother, slender... more...

METEOROLOGICAL EMOTIONS Whoever carries a mental kodak with him (as I suspect I was in the habit of doing long before I knew it) must be aware of the uncertain value of the different exposures. This can be determined only by the process of developing, which requires a dark room and other apparatus not always at hand; and so much depends upon the process that it might be well if it could always be left... more...

It was in the little office of James T. Fields, over the bookstore of Ticknor & Fields, at 124 Tremont Street, Boston, that I first met my friend of now forty-four years, Samuel L. Clemens. Mr. Fields was then the editor of The Atlantic Monthly, and I was his proud and glad assistant, with a pretty free hand as to manuscripts, and an unmanacled command of the book-notices at the end of the... more...

From his place on the floor of the Hemenway Gymnasium Mr. Elbridge G. Mavering looked on at the Class Day gaiety with the advantage which his stature, gave him over most people there. Hundreds of these were pretty girls, in a great variety of charming costumes, such as the eclecticism of modern fashion permits, and all sorts of ingenious compromises between walking dress and ball dress. It struck him... more...

INTRODUCTION. Mr. Howells has written a long series of poems, novels, sketches, stories, and essays, and has been perhaps the most continuous worker in the literary art among American writers. He was born at Martin's Perry, Belmont County, Ohio, March 1, 1837, and the experiences of his early life have been delightfully told by himself in A Boy's Town, My Year in a Log Cabin, and My Literary... more...

I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free... more...