LITERARY FRIENDS AND ACQUAINTANCES—First Visit to New EnglandBIBLIOGRAPHICAL Long before I began the papers which make up this volume, I had meant to write of literary history in New England as I had known it in the lives of its great exemplars during the twenty-five years I lived near them. In fact, I had meant to do this from the time I came among them; but I let the days in which I almost... more...

METEOROLOGICAL EMOTIONS Whoever carries a mental kodak with him (as I suspect I was in the habit of doing long before I knew it) must be aware of the uncertain value of the different exposures. This can be determined only by the process of developing, which requires a dark room and other apparatus not always at hand; and so much depends upon the process that it might be well if it could always be left... more...

It was on a morning of the lovely New England May that we left the horse- car, and, spreading our umbrellas, walked down the street to our new home in Charlesbridge, through a storm of snow and rain so finely blent by the influences of this fortunate climate, that no flake knew itself from its sister drop, or could be better identified by the people against whom they beat in unison. A vernal gale from... more...

I. UP AND DOWN MADEIRA. No drop-curtain, at any theatre I have seen, was ever so richly imagined, with misty tops and shadowy clefts and frowning cliffs and gloomy valleys and long, plunging cataracts, as the actual landscape of Madeira, when we drew nearer and nearer to it, at the close of a tearful afternoon of mid-January. The scenery of drop-curtains is often very boldly beautiful, but here Nature,... more...

I. AUTOBIOGRAPHICAL APPROACHESI.As the train took its time and ours in mounting the uplands toward Granada on the soft, but not too soft, evening of November 6, 1911, the air that came to me through the open window breathed as if from an autumnal night of the middle eighteen-fifties in a little village of northeastern Ohio. I was now going to see, for the first time, the city where so great a part of... more...

During the four years of my life in Venice the literary intention was present with me at all times and in all places. I wrote many things in verse, which I sent to the magazines in every part of the English-speaking world, but they came unerringly back to me, except in three instances only, when they were kept by the editors who finally printed them. One of these pieces was published in the Atlantic... more...

THE RESTORATION OF THE EASY CHAIR BY WAY OF INTRODUCTION It is not generally known that after forty-two years of constant use the aged and honored movable which now again finds itself put back in its old place in the rear of Harper's Magazine was stored in the warehouse of a certain safety-deposit company, in the winter of 1892. The event which had then vacated the chair is still so near as to be... more...

I. In the best room of a farm-house on the skirts of a village in the hills of Northern Massachusetts, there sat one morning in August three people who were not strangers to the house, but who had apparently assembled in the parlor as the place most in accord with an unaccustomed finery in their dress. One was an elderly woman with a plain, honest face, as kindly in expression as she could be perfectly... more...

I. The Kentons were not rich, but they were certainly richer than the average in the pleasant county town of the Middle West, where they had spent nearly their whole married life. As their circumstances had grown easier, they had mellowed more and more in the keeping of their comfortable home, until they hated to leave it even for the short outings, which their children made them take, to Niagara or... more...

I. THE OUTSET They first met in Boston, but the match was made in Europe, where they afterwards saw each other; whither, indeed, he followed her; and there the match was also broken off. Why it was broken off, and why it was renewed after a lapse of years, is part of quite a long love-story, which I do not think myself qualified to rehearse, distrusting my fitness for a sustained or involved narration;... more...