EARLIEST EXPERIENCES. I call it a Boy's Town because I wish it to appear to the reader as a town appears to a boy from his third to his eleventh year, when he seldom, if ever, catches a glimpse of life much higher than the middle of a man, and has the most distorted and mistaken views of most things. He may then indeed look up to the sky, and see heaven open, and angels ascending and descending;... more...

It is consoling as often as dismaying to find in what seems a cataclysmal tide of a certain direction a strong drift to the opposite quarter. It is so divinable, if not so perceptible, that its presence may usually be recognized as a beginning of the turn in every tide which is sure, sooner or later, to come. In reform, it is the menace of reaction; in reaction, it is the promise of reform; we may take... more...

I Liverpool does not remind him of this so much as the good and true Baedeker professes, in the dockside run on the overhead railway (as the place unambitiously calls its elevated road); but then, as I noted in my account of Southampton, docks have a fancy of taking themselves in, and eluding the tourist eye, and even when they "flank the Mersey for a distance of 6-7 M." they do not respond to... more...

The following story was the first fruit of my New York life when I began to live it after my quarter of a century in Cambridge and Boston, ending in 1889; and I used my own transition to the commercial metropolis in framing the experience which was wholly that of my supposititious literary adventurer. He was a character whom, with his wife, I have employed in some six or eight other stories, and whom I... more...

In those dim recesses of the consciousness where things have their beginning, if ever things have a beginning, I suppose the origin of this novel may be traced to a fact of a fortnight's sojourn on the western shore of lake Champlain in the summer of 1891. Across the water in the State of Vermont I had constantly before my eyes a majestic mountain form which the earlier French pioneers had named... more...

THE DAUGHTER OF THE STORAGE I They were getting some of their things out to send into the country, and Forsyth had left his work to help his wife look them over and decide which to take and which to leave. The things were mostly trunks that they had stored the fall before; there were some tables and Colonial bureaus inherited from his mother, and some mirrors and decorative odds and ends, which they... more...

SCENE A Lady, entering the florist's with her muff to her face, and fluttering gayly up to the counter, where the florist stands folding a mass of loose flowers in a roll of cotton batting: "Good-morning, Mr. Eichenlaub! Ah, put plenty of cotton round the poor things, if you don't want them frozen stiff! You have no idea what a day it is, here in your little tropic." She takes away... more...

I. WHEN Bartley Hubbard went to interview Silas Lapham for the "Solid Men of Boston" series, which he undertook to finish up in The Events, after he replaced their original projector on that newspaper, Lapham received him in his private office by previous appointment. "Walk right in!" he called out to the journalist, whom he caught sight of through the door of the counting-room. He did... more...

CHAPTER I. VENICE IN VENICE. One night at the little theatre in Padua, the ticket-seller gave us the stage-box (of which he made a great merit), and so we saw the play and the byplay. The prompter, as noted from our point of view, bore a chief part in the drama (as indeed the prompter always does in the Italian theatre), and the scene-shifters appeared as prominent characters. We could not help seeing... more...

I. In the best room of a farm-house on the skirts of a village in the hills of Northern Massachusetts, there sat one morning in August three people who were not strangers to the house, but who had apparently assembled in the parlor as the place most in accord with an unaccustomed finery in their dress. One was an elderly woman with a plain, honest face, as kindly in expression as she could be perfectly... more...