Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.

Download links will be available after you disable the ad blocker and reload the page.
Showing: 1-10 results of 49

LECTURE I INTRODUCTORY WEDNESDAY, OCTOBER 25, 1916 I In the third book of the "Ethics", and in the second chapter, Aristotle, dealing with certain actions which, though bad in themselves, admit of pity and forgiveness because they were committed involuntarily, through ignorance, instances 'the man who did not know a subject was forbidden, like Aeschylus with the Mysteries,' and 'the man who only meant to show how it worked, like the fellow... more...

Chapter I. The Historical Scope of the Subject. . . . . . . . . . Literature and Science. There are two words in the English language which are now used to express the two great divisions of mental production—Science and Literature; and yet, from their etymology, they have so much in common, that it has been necessary to attach to each a technical meaning, in order that we may employ them without confusion. Science, from the... more...

by Various
INTRODUCTION. In England, as elsewhere, criticism was a late birth of the literary spirit. English poets had sung and literary prose been written for centuries before it struck men to ask themselves, What is the secret of the power that these things have on our mind, and by what principles are they to be judged? And it could hardly have been otherwise. Criticism is a self-conscious art, and could not have arisen in an age of intellectual... more...

CHAPTER I: ADVENTURES AMONG BOOKS I In an age of reminiscences, is there room for the confessions of a veteran, who remembers a great deal about books and very little about people?  I have often wondered that a Biographia Literaria has so seldom been attempted—a biography or autobiography of a man in his relations with other minds.  Coleridge, to be sure, gave this name to a work of his, but he wandered from his apparent purpose... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that magical, unpronounceable... more...


INTRODUCTION A section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyère cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood—along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time as they come in any serious study... more...

INTRODUCTION Gay's concern in his survey of The Present State of Wit is with the productions of wit which were circulating among the coffee-houses of 1711, specifically the large numbers of periodical essays which were perhaps the most distinctive kind of "wit" produced in the "four last years" of Queen Anne's reign. His little pamphlet makes no pretence at an analysis of true and false wit or a refining of critical distinctions with regard to... more...

I.—Mr. Pepys   Mr. Pepys was a Puritan. Froude once painted a portrait of Bunyan as an old Cavalier. He almost persuaded one that it was true till the later discovery of Bunyan’s name on the muster-roll of one of Cromwell’s regiments showed that he had been a Puritan from the beginning. If one calls Mr. Pepys a Puritan, however, one does not do so for the love of paradox or at a guess. He tells us himself that he... more...

CHARACTERISTICS OF VICTORIAN LITERATURE That which in England is conveniently described as the Victorian Age of literature has a character of its own, at once brilliant, diverse, and complex. It is an age peculiarly difficult to label in a phrase; but its copious and versatile gifts will make it memorable in the history of modern civilisation. The Victorian Age, it is true, has no Shakespeare or Milton, no Bacon or Hume, no Fielding or... more...

PREFACE: ON FLUCTUATIONS OF TASTE When Voltaire sat down to write a book on Epic Poetry, he dedicated his first chapter to "Differences of Taste in Nations." A critic of to-day might well find it necessary, on the threshold of a general inquiry, to expatiate on "Differences of Taste in Generations." Changes of standard in the arts are always taking place, but it is only with advancing years, perhaps, that we begin to be embarrassed by the... more...