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Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that... more...

I.—Mr. Pepys   Mr. Pepys was a Puritan. Froude once painted a portrait of Bunyan as an old Cavalier. He almost persuaded one that it was true till the later discovery of Bunyan’s name on the muster-roll of one of Cromwell’s regiments showed that he had been a Puritan from the beginning. If one calls Mr. Pepys a Puritan, however, one does not do so for the love of paradox or at a guess. He tells... more...

STYLE [5] SINCE all progress of mind consists for the most part in differentiation, in the resolution of an obscure and complex object into its component aspects, it is surely the stupidest of losses to confuse things which right reason has put asunder, to lose the sense of achieved distinctions, the distinction between poetry and prose, for instance, or, to speak more exactly, between the laws and... more...

Scattered over the surface of every country in Europe may be found sepulchral monuments, the remains of pre-historic times and nations, and of a phase of life will civilisation which has long since passed away. No country in Europe is without its cromlechs and dolmens, huge earthen tumuli, great flagged sepulchres, and enclosures of tall pillar-stones. The men by whom these works were made, so... more...

DICKENS A ‘Frightful Minus’ Mr. Andrew Lang is delightfully severe on those who ‘cannot read Dickens,’ but in truth it is only by accident that he is not himself of that unhappy persuasion.  For Dickens the humourist he has a most uncompromising enthusiasm; for Dickens the artist in drama and romance he has as little sympathy as the most practical.  Of the prose of David Copperfield and Our... more...

Introduction   These chapters, for the most part, are reprinted from Lafcadio Hearn’s “Interpretations of Literature,” 1915, from his “Life and Literature,” 1916, and from his “Appreciations of Poetry,” 1917. Three chapters appear here for the first time. They are all taken from the student notes of Hearn’s lectures at the University of Tokyo, 1896-1902, sufficiently described in the... more...

THE DEGRADATION OF BEAUTY Some time ago I found myself at an exhibition of Post-Impressionist pictures, under the ægis of an artist who was himself of that persuasion. Indeed, he was one of the exhibitors, and I was constrained to express my opinions in the form of questions. We passed before a picture which to my untutored eyes was formless, meaningless and ugly. It was by a well-known artist, and my... more...

INTRODUCTION Gay's concern in his survey of The Present State of Wit is with the productions of wit which were circulating among the coffee-houses of 1711, specifically the large numbers of periodical essays which were perhaps the most distinctive kind of "wit" produced in the "four last years" of Queen Anne's reign. His little pamphlet makes no pretence at an analysis of true... more...

INTRODUCTION. My publisher must take at least some of the responsibility for reviving these essays. All bear the marks of the period at which they were written; and some of them deal with the beginnings of movements which have since grown to much greater strength, and in growing have developed new characteristics at the expense of what was originally more prominent. Other pages, again, take no account... more...