English, Irish, Scottish, Welsh Books

INTRODUCTION. My publisher must take at least some of the responsibility for reviving these essays. All bear the marks of the period at which they were written; and some of them deal with the beginnings of movements which have since grown to much greater strength, and in growing have developed new characteristics at the expense of what was originally more prominent. Other pages, again, take no account... more...

INTRODUCTION Gay's concern in his survey of The Present State of Wit is with the productions of wit which were circulating among the coffee-houses of 1711, specifically the large numbers of periodical essays which were perhaps the most distinctive kind of "wit" produced in the "four last years" of Queen Anne's reign. His little pamphlet makes no pretence at an analysis of true... more...

THE DEGRADATION OF BEAUTY Some time ago I found myself at an exhibition of Post-Impressionist pictures, under the ægis of an artist who was himself of that persuasion. Indeed, he was one of the exhibitors, and I was constrained to express my opinions in the form of questions. We passed before a picture which to my untutored eyes was formless, meaningless and ugly. It was by a well-known artist, and my... more...

CHARACTERISTICS OF VICTORIAN LITERATURE That which in England is conveniently described as the Victorian Age of literature has a character of its own, at once brilliant, diverse, and complex. It is an age peculiarly difficult to label in a phrase; but its copious and versatile gifts will make it memorable in the history of modern civilisation. The Victorian Age, it is true, has no Shakespeare or... more...

Introduction   These chapters, for the most part, are reprinted from Lafcadio Hearn’s “Interpretations of Literature,” 1915, from his “Life and Literature,” 1916, and from his “Appreciations of Poetry,” 1917. Three chapters appear here for the first time. They are all taken from the student notes of Hearn’s lectures at the University of Tokyo, 1896-1902, sufficiently described in the... more...

DICKENS A ‘Frightful Minus’ Mr. Andrew Lang is delightfully severe on those who ‘cannot read Dickens,’ but in truth it is only by accident that he is not himself of that unhappy persuasion.  For Dickens the humourist he has a most uncompromising enthusiasm; for Dickens the artist in drama and romance he has as little sympathy as the most practical.  Of the prose of David Copperfield and Our... more...

Scattered over the surface of every country in Europe may be found sepulchral monuments, the remains of pre-historic times and nations, and of a phase of life will civilisation which has long since passed away. No country in Europe is without its cromlechs and dolmens, huge earthen tumuli, great flagged sepulchres, and enclosures of tall pillar-stones. The men by whom these works were made, so... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that... more...

CHAPTER I BALLAD CHARACTERISTICS'Layés that in harpingBen y-found of ferli thing;Sum beth of wer, and sum of wo,Sum of joye and mirthe also;And sum of treacherie and gile;Of old aventours that fell while;And sum of bourdes and ribaudy;And many ther beth of faëry,—Of all things that men seth;Maist o' love forsoth they beth.'The Lay of the Ash. Who would set forth to explore the realm... more...

EARLY LIFE. 'I was of a low and inconsiderable generation, my father's house being of that rank that is meanest and most despised of all families in the land.' 'I never went to school, to Aristotle or Plato, but was brought up in my father's house in a very mean condition, among a company of poor countrymen.' 'Nevertheless, I bless God that by this door He brought me... more...