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George Saintsbury
George Saintsbury (1845-1933) was a distinguished British literary critic, scholar, and historian renowned for his comprehensive works on English and French literature. He authored seminal texts such as "A History of English Prosody" and "A History of Criticism," which remain influential in the study of literary history and criticism. Saintsbury's meticulous scholarship and passionate appreciation for the art of writing significantly shaped the understanding and evaluation of literature in his era.
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INTRODUCTION. [Illustration] Thackeray In His Study At Onslow Square. From a painting by E. M. Ward We know exceedingly little of the genesis and progress of Esmond. “It did not seem to be a part of our lives as Pendennis was,” says Lady Ritchie, though she wrote part of it to dictation. She “only heard Esmond spoken of very rarely”. Perhaps its state was not the less gracious. The Milton girls...
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INTRODUCTION It is sometimes thought, and very often said, that political writing, after its special day is done, becomes more dead than any other kind of literature, or even journalism. I do not know whether my own judgment is perverted by the fact of a special devotion to the business, but it certainly seems to me that both the thought and the saying are mistakes. Indeed, a rough-and-ready refutation...
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PREFACE In the execution of the present task (which I took over about two years ago from hands worthier than mine, but then more occupied) some difficulties of necessity occurred which did not present themselves to myself when I undertook the volume of Elizabethan Literature, or to my immediate predecessor in grappling with the period between 1660 and 1780. The most obvious and serious of these was the...
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PREFACE. An attempt to present to students a succinct history of the course of French literature compiled from an examination of that literature itself, and not merely from previous accounts of it is, I believe, a new one in English. There will be observed in the parts of this Short History a considerable difference of method; and as such a difference is not usual in works of the kind, it may be well...
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PREFACE. As this volume, although not the first in chronological order, is likely to be the first to appear in the Series of which it forms part, and of which the author has the honour to be editor, it may be well to say a few words here as to the scheme of this Series generally. When that scheme was first sketched, it was necessarily objected that it would be difficult, if not impossible, to obtain...
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PREFACE In beginning what, if it ever gets finished, must in all probability be the last of some already perhaps too numerous studies of literary history, I should like to point out that the plan of it is somewhat different from that of most, if not all, of its predecessors. I have usually gone on the principle (which I still think a sound one) that, in studying the literature of a country, or in...
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LIFE TILL MARRIAGE Scott's own 'autobiographic fragment,' printed in Lockhart's first volume, has made other accounts of his youth mostly superfluous, even to a day which persists in knowing better about everything and everybody than it or they knew about themselves. No one ever recorded his genealogy more minutely, with greater pride, or with a more saving sense of humour than Sir...
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INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been...
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Chapter I. Life till Marriage, and Work till the Publication of the Poems of 1853. Even those who are by no means greedy of details as to the biography of authors, may without inconsistency regret that Matthew Arnold’s Letters do not begin till he was just five-and-twenty. And then they are not copious, telling us in particular next to nothing about his literary work (which is, later, their constant...
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As was explained in the Note to the Preface of the previous editions and impressions of this book, after the first, hardly one of them appeared without careful revision, and the insertion of a more or less considerable number of additions and corrections. I found, indeed, few errors of a kind that need have seemed serious except to Momus or Zoilus. But in the enormous number of statements of fact which...
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