Literary Criticism Books

CHAPTER I. A PRELIMINARY VIEW. Anglo-Saxon literature is the oldest of the vernacular literatures of modern Europe; and it is a consequence of this that its relations with Latin literature have been the closest. All the vernacular literatures have been influenced by the Latin, but of Anglo-Saxon literature alone can it be said that it has been subjected to no other influence. This literature was nursed... more...

OMAR CAYENNE IWake! For the Hack can scatter into flightShakespere and Dante in a single Night!The Penny-a-liner is Abroad, and strikesOur Modern Literature with blithering Blight.Before Historical Romances died,Methought a Voice from Art's Olympus cried,"When all Dumas and Scott is still for Sale,Why nod o'er drowsy Tales, by Tyros tried?" IIIA cock-sure Crew with Names ne'er... more...

Chapter I. Material and Method. If the writer who ventures to say something more about books and their uses is wise, he will not begin with an apology; for he will know that, despite all that has been said and written on this engrossing theme, the interest of books is inexhaustible, and that there is always a new constituency to read them. So rich is the vitality of the great books of the world that... more...

BJÖRNSTJERNE BJÖRNSON I Björnstjerne Björnson is the first Norwegian poet who can in any sense be called national. The national genius, with its limitations as well as its virtues, has found its living embodiment in him. Whenever he opens his mouth it is as if the nation itself were speaking. If he writes a little song, hardly a year elapses before its phrases have passed into the common speech of... more...

It seems to me that it was far from right for the Professor of English Literature in Yale, the Professor of English Literature in Columbia, and Wilkie Collins to deliver opinions on Cooper's literature without having read some of it. It would have been much more decorous to keep silent and let persons talk who have read Cooper. Cooper's art has some defects. In one place in... more...

INTRODUCTION. When a small impression of these quaint old books issued from the Chiswick Press, many years ago, under the auspices of the late Mr. S. W. Singer, that gentleman merely designed the copies struck off for presentation to a select circle of literary friends who, like himself, felt a warm interest in every relic of the past which helped to illustrate Shakespeare and ancient English manners.... more...

The question of a final criterion for the appreciation of art is one that perpetually recurs to those interested in any sort of aesthetic endeavor. Mr. John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into... more...

The proceedings which have now been brought satisfactorily to an end are of a kind which nobody who has sensibility as well as sense can take a part in without some emotion. An illustrious French philosopher who happened to be an examiner of candidates for admission to the Polytechnic School, once confessed that, when a youth came before him eager to do his best, competently taught, and of an apt... more...

Any survey of the work done by Australian authors suggests a question as to what length of time ought to be allowed for the development of distinctive national characteristics in the literature of a young country self-governing to the extent of being a republic in all but name, isolated in position, highly civilised, enjoying all the modern luxuries available to the English-speaking race in older... more...

I There is a tale of Mr Kipling which relates how Eustace Cleever, a celebrated novelist, came to the rooms of a young subaltern and his companions who were giving an account of themselves. Eustace Cleever was a literary man, and was greatly impressed when he learned that one of the company, who was under twenty-five and was called the Infant, had killed people somewhere in Burma. He was suddenly... more...