Literary Criticism Books

"It would be hard to name a better commonplace book for summer lawns. . . . The lover of poetry, the lover of gardening, and the lover of quaint, out-of-the-way knowledge will each find something to please him. . . . It is a delightful example of gardening literature."—Pall Mall Gazette. "Mr. Ellacombe, with a double enthusiasm for Shakespeare and for his garden, has produced a very... more...

INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been... more...

INTRODUCTION ESTHONIA Esthonia, or Estonia, as some prefer to write it, is the most northerly of the three so-called German or Baltic provinces of Russia—Esthonia, Livonia, and Courland. It is bounded on the north by the Gulf of Finland, which lies between that country and Esthonia; on the east by the Government of St. Petersburg; on the south by Livonia, and on the west by the Baltic. Opposite its... more...

JOSEPH CONRAD "Under all his stories there ebbs and flows a kind of tempered melancholy, a sense of seeking and not finding...." I take the words from a little book on Joseph Conrad by Wilson Follett, privately printed, and now, I believe, out of print. They define both the mood of the stories as works of art and their burden and direction as criticisms of life. Like Dreiser, Conrad is forever... more...

My dear Cowell: As these Lectures would never have been written or delivered but for your hearty encouragement, I hope you will now allow me to dedicate them to you, not only as a token of my sincere admiration of your great achievements as an Oriental scholar, but also as a memorial of our friendship, now more than thirty years old, a friendship which has grown from year to year, has weathered many a... more...

INTRODUCTION The following essay forms the introduction to a famous anthology of the seventeenth century, the Epigrammatum delectus, a Port-Royal textbook published at Paris in 1659. The essay was twice translated into French in the same century, but the use of the text in France did not survive, apparently, the downfall of the Port-Royal movement. It was, however, later adopted by Eton College, where... more...

INTRODUCTORY The Shakespearean Sonnets are not a single or connected work like an ordinary play or poem. Their composition apparently extended over a considerable time, which may be fairly estimated as not less than four years. Read literally they seem to portray thoughts, modes or experiences fairly assignable to such a period. Though variable and sometimes light and airy in their movement, the... more...

SOME THOUGHTS OF A READER OF TENNYSON Fifty years after Tennyson’s birth he was saluted a great poet by that unanimous acclamation which includes mere clamour.  Fifty further years, and his centenary was marked by a new detraction.  It is sometimes difficult to distinguish the obscure but not unmajestic law of change from the sorry custom of reaction.  Change hastes not and rests not, reaction... more...

WALTER CRANE 1893 See handwritten text Mr Dallas's reproductions of my pen drawings for this work appear to me to be very faithful & successful in preserving the touch & general character of the originals. I have to certify that I have printed 650 copies of each of these eight subjects designed by Walter Crane, and engraved in Dallastype Facsimile by myself. Six Hundred Copies are for... more...

PREFACE. Although only the grandson of the first of his name, the author of the following interesting specimen of 16th-century criticism came of a family of great antiquity, of so great an antiquity, indeed, as to preclude our tracing it back to its origin. This family was originally known as the “De Botfelds,” but in the 15th century one branch adopted the more humble name of “Thynne,” or... more...