Literary Criticism Books

INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been... more...

JOSEPH CONRAD "Under all his stories there ebbs and flows a kind of tempered melancholy, a sense of seeking and not finding...." I take the words from a little book on Joseph Conrad by Wilson Follett, privately printed, and now, I believe, out of print. They define both the mood of the stories as works of art and their burden and direction as criticisms of life. Like Dreiser, Conrad is forever... more...

When I was honoured by the invitation to deliver this course of lectures, I did not accept without some hesitation. I am not qualified to speak with authority upon such subjects as have been treated by my predecessors—the course of political events or the growth of legal institutions. My attention has been chiefly paid to the history of literature, and it might be doubtful whether that study is... more...

CHAPTER I Scattered here and there through the stacks of unpublished manuscript which constitute this formidable Autobiography and Diary of mine, certain chapters will in some distant future be found which deal with “Claimants”—claimants historically notorious: Satan, Claimant; the Golden Calf, Claimant; the Veiled Prophet of Khorassan, Claimant; Louis XVII., Claimant; William Shakespeare,... more...

INTRODUCTORY: OF MODERN ENGLISH POETRY To Mr. Arthur Wincott, Topeka, Kansas. Dear Wincott,—You write to me, from your “bright home in the setting sun,” with the flattering information that you have read my poor “Letters to Dead Authors.”  You are kind enough to say that you wish I would write some “Letters to Living Authors;” but that, I fear, is out of the question,—for me. A... more...

As was explained in the Note to the Preface of the previous editions and impressions of this book, after the first, hardly one of them appeared without careful revision, and the insertion of a more or less considerable number of additions and corrections. I found, indeed, few errors of a kind that need have seemed serious except to Momus or Zoilus. But in the enormous number of statements of fact which... more...

OPINIONS OF AUTHORS Libraries are as the shrines where all the relics of the ancient saints, full of true virtue, and that without delusion or imposture, are preserved and reposed.—Bacon, Advancement of Learning. We visit at the shrine, drink in some measure of the inspiration, and cannot easily breathe in other air less pure, accustomed to immortal fruits.—Hazlitt's Plain Speaker. What a... more...

CHAPTER I. Burlesque—Parody—The "Splendid Shilling"—Prior—Pope—Ambrose Philips—Parodies of Gray's Elegy—Gay. Burlesque, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation.... more...

WALTER CRANE 1893 See handwritten text Mr Dallas's reproductions of my pen drawings for this work appear to me to be very faithful & successful in preserving the touch & general character of the originals. I have to certify that I have printed 650 copies of each of these eight subjects designed by Walter Crane, and engraved in Dallastype Facsimile by myself. Six Hundred Copies are for... more...

PREFACE: ON FLUCTUATIONS OF TASTE When Voltaire sat down to write a book on Epic Poetry, he dedicated his first chapter to "Differences of Taste in Nations." A critic of to-day might well find it necessary, on the threshold of a general inquiry, to expatiate on "Differences of Taste in Generations." Changes of standard in the arts are always taking place, but it is only with advancing... more...