Literary Criticism Books

I. LD King Cole Was a merry old soul, And a merry old soul was he; He called for his pipe, And he called for his bowl, And he called for his fiddlers three. Every fiddler, he had a fiddle, And a very fine fiddle had he; Twee tweedle dee, tweedle dee, went the fiddlers. Oh, there's none so rare, As can compare With King Cole and his fiddlers three! [The traditional Nursery Rhymes of England... more...

INTRODUCTION John Ogilvie (1733-1813), Presbyterian divine and author, was one of a group of Scottish literary clergy and a fellow of the Edinburgh Royal Society. Chambers and Thomson print the following generous estimation of his work:Of all his books, there is not one which, as a whole, can be expected to please the general reader. Noble sentiments, brilliant conceptions, and poetic graces, may be... more...

INTRODUCTION Mr. Kipling’s brilliant reconstruction of the genesis of the ‘Tempest’ may remind us how often that play has excited the creative fancy of its readers. It has given rise to many imitations, adaptations, and sequels. Fletcher copied its storm, its desert island, and its woman who had never seen a man. Suckling borrowed its spirits. Davenant and Dryden added a man who had never seen a... more...

CHAPTER I BROWNING AND TENNYSON Parnassus, Apollo's mount, has two peaks, and on these, for sixty years, from 1830 to 1890, two poets sat, till their right to these lofty peaks became unchallenged. Beneath them, during these years, on the lower knolls of the mount of song, many new poets sang; with diverse instruments, on various subjects, and in manifold ways. They had their listeners; the Muses... more...

SHAKESPEARE AND PRECIOUS STONES So wide is the range of the immortal verse of Shakespeare, and so many and various are the subjects he touched upon and adorned with the magic beauty of his poetic imagery, that it will be of great interest to refer to the allusions to gems and precious stones in his plays and poems. These allusions are all given in the latter part of this volume. What can we learn from... more...

PREFACE When I was invited to reprint in book-form the articles which had appeared in the Genealogical Magazine under the titles of "Shakespeare's Family" and the "Warwickshire Ardens," I carefully corrected them, and expanded them where expansion could be made interesting. Thus to the bald entries of Shakespeare's birth and burial I added a short life. Perhaps never before... more...

"It would be hard to name a better commonplace book for summer lawns. . . . The lover of poetry, the lover of gardening, and the lover of quaint, out-of-the-way knowledge will each find something to please him. . . . It is a delightful example of gardening literature."—Pall Mall Gazette. "Mr. Ellacombe, with a double enthusiasm for Shakespeare and for his garden, has produced a very... more...

I.—ON THE DISINTERMENT OF NAPOLEON AT ST. HELENA. MY DEAR ——,—It is no en the Voyage from St. Helena asy task in this world to distinguish between what is great in it, and what is mean; and many and many is the puzzle that I have had in reading History (or the works of fiction which go by that name), to know whether I should laud up to the skies, and endeavor, to the best of my small... more...

JOSEPH CONRAD "Under all his stories there ebbs and flows a kind of tempered melancholy, a sense of seeking and not finding...." I take the words from a little book on Joseph Conrad by Wilson Follett, privately printed, and now, I believe, out of print. They define both the mood of the stories as works of art and their burden and direction as criticisms of life. Like Dreiser, Conrad is forever... more...

When I was honoured by the invitation to deliver this course of lectures, I did not accept without some hesitation. I am not qualified to speak with authority upon such subjects as have been treated by my predecessors—the course of political events or the growth of legal institutions. My attention has been chiefly paid to the history of literature, and it might be doubtful whether that study is... more...