Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 138
- Business & Economics 28
- Children's Books 2
- Children's Fiction 1
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 46
- Family & Relationships 57
- Fiction 11818
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 500
- Science 126
- Self-Help 81
- Social Science 81
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Andrew Lang
Andrew Lang (1844-1912) was a Scottish poet, novelist, and literary critic, best known for his collections of fairy tales, notably the "Fairy Books" series, which includes titles like "The Blue Fairy Book" and "The Red Fairy Book." He was also a prolific scholar, contributing to the fields of anthropology, history, and folklore with works such as "Custom and Myth" and "Myth, Ritual, and Religion." Lang's work in popularizing folk and fairy tales has had a lasting influence on children's literature and the study of mythology.
Author's Books:
Sort by:
by:
Andrew Lang
TO CHILDREN. The Author of this book is also the Editor of the Blue, Red, Greenland Yellow Fairy Books. He has always felt rather an impostor, because so many children seem to think that he made up these books out of his own head. Now he only picked up a great many old fairy tales, told in French, German, Greek, Chinese, Red Indian, Russian, and other languages, and had them translated and printed,...
more...
by:
Andrew Lang
Gentlemen, In the volume now in your hands, the authors have touched upon that ugly devil of crime, with which it is your glory to have contended. It were a waste of ink to do so in a serious spirit. Let us dedicate our horror to acts of a more mingled strain, where crime preserves some features of nobility, and where reason and humanity can still relish the temptation. Horror, in this case, is due to...
more...
by:
Andrew Lang
To The Friendly Reader This is the third, and probably the last, of the Fairy Books of many colours. First there was the Blue Fairy Book; then, children, you asked for more, and we made up the Red Fairy Book; and, when you wanted more still, the Green Fairy Book was put together. The stories in all the books are borrowed from many countries; some are French, some German, some Russian, some Italian,...
more...
by:
Andrew Lang
CHAPTER I AN ISLAND LANDFALL For nearly ten years my health had been declining; and for some while before I set forth upon my voyage, I believed I was come to the afterpiece of life, and had only the nurse and undertaker to expect. It was suggested that I should try the South Seas; and I was not unwilling to visit like a ghost, and be carried like a bale, among scenes that had attracted me in youth and...
more...
by:
Andrew Lang
CHAPTER I.—A Tale of Two Clubs. "Such arts the gods who dwell on highHave given to the Greek."—Lays of Ancient Rome. In the Strangers' Room of the Olympic Club the air was thick with tobacco-smoke, and, despite the bitter cold outside, the temperature was uncomfortably high. Dinner was over, and the guests, broken up into little groups, were chattering noisily. No one had yet given any...
more...
by:
Andrew Lang
CHAPTER I THE ELEMENTS OF DISCORD: NATIVE The story I have to tell is still going on as I write; the characters are alive and active; it is a piece of contemporary history in the most exact sense. And yet, for all its actuality and the part played in it by mails and telegraphs and iron war-ships, the ideas and the manners of the native actors date back before the Roman Empire. They are Christians,...
more...
by:
Andrew Lang
INTRODUCTION It may well be doubted whether works of controversy serve any useful purpose. ‘On an opponent,’ as Mr. Matthew Arnold said, ‘one never does make any impression,’ though one may hope that controversy sometimes illuminates a topic in the eyes of impartial readers. The pages which follow cannot but seem wandering and desultory, for they are a reply to a book, Mr. Max Müller’s...
more...
by:
Andrew Lang
PREFACE The author would scarcely have penned this little specimen of what Scott called “antiquarian old womanries,” but for the interest which he takes in the universally diffused archaic patterns on rocks and stones, which offer a singular proof of the identity of the working of the human mind. Anthropology and folklore are the natural companions and aids of prehistoric and proto-historic...
more...
by:
Andrew Lang
CHAPTER I—HOW THIS BOOK WAS WRITTEN, AND HOW NORMAN LESLIE FLED OUT OF FIFE It is not of my own will, nor for my own glory, that I, Norman Leslie, sometime of Pitcullo, and in religion called Brother Norman, of the Order of Benedictines, of Dunfermline, indite this book. But on my coming out of France, in the year of our Lord One thousand four hundred and fifty-nine, it was laid on me by my...
more...
by:
Andrew Lang
PREFACE TO NEW IMPRESSION. When this book first appeared (1886), the philological school of interpretation of religion and myth, being then still powerful in England, was criticised and opposed by the author. In Science, as on the Turkish throne of old, "Amurath to Amurath succeeds"; the philological theories of religion and myth have now yielded to anthropological methods. The centre of the...
more...