PREFACE The Editor takes this opportunity to repeat what he has often said before, that he is not the author of the stories in the Fairy Books; that he did not invent them 'out of his own head.' He is accustomed to being asked, by ladies, 'Have you written anything else except the Fairy Books?' He is then obliged to explain that he has NOT written the Fairy Books, but, save these,... more...

PREFACE In Homer and the Epic, ten or twelve years ago, I examined the literary objections to Homeric unity. These objections are chiefly based on alleged discrepancies in the narrative, of which no one poet, it is supposed, could have been guilty. The critics repose, I venture to think, mainly on a fallacy. We may style it the fallacy of "the analytical reader." The poet is expected to satisfy... more...

INTRODUCTION The extreme rarity of The Death-Wake is a reason for its republication, which may or may not be approved of by collectors. Of the original edition the Author says that more than seventy copies were sold in the first week of publication, but thereafter the publisher failed in business. Mr. Stoddart recovered the sheets of his poem, and his cook gradually, and perhaps not injudiciously,... more...

EDITOR'S INTRODUCTION. As I sat, one evening, idly musing on memories of roers and Boers, and contemplating the horns of a weendigo I had shot in Labrador and the head of a Moo Cow from Canada, I was roused by a ring at the door bell. A literary friend to whom I have shown your MS. says a weendigo is Ojibbeway for a cannibal. And why do you shoot poor Moo Cows?—Publisher. Mere slip of the pen.... more...

PREFACE The author would scarcely have penned this little specimen of what Scott called “antiquarian old womanries,” but for the interest which he takes in the universally diffused archaic patterns on rocks and stones, which offer a singular proof of the identity of the working of the human mind.  Anthropology and folklore are the natural companions and aids of prehistoric and proto-historic... more...

Preface Each Fairy Book demands a preface from the Editor, and these introductions are inevitably both monotonous and unavailing. A sense of literary honesty compels the Editor to keep repeating that he is the Editor, and not the author of the Fairy Tales, just as a distinguished man of science is only the Editor, not the Author of Nature. Like nature, popular tales are too vast to be the creation of a... more...

THE BRONZE RING Once upon a time in a certain country there lived a king whose palace was surrounded by a spacious garden. But, though the gardeners were many and the soil was good, this garden yielded neither flowers nor fruits, not even grass or shady trees. The King was in despair about it, when a wise old man said to him: "Your gardeners do not understand their business: but what can you expect... more...

THE BOYHOOD AND PARENTS OF ULYSSES Long ago, in a little island called Ithaca, on the west coast of Greece, there lived a king named Laertes.  His kingdom was small and mountainous.  People used to say that Ithaca “lay like a shield upon the sea,” which sounds as if it were a flat country.  But in those times shields were very large, and rose at the middle into two peaks with a hollow between... more...

INTRODUCTION. Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order.  During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology.  That... more...

Preface The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousins, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book 'out of his own head,' he writes the preface for his own pleasure. After reading over his book... more...