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Guy de Maupassant

Guy de Maupassant (1850-1893) was a prolific French writer best known for his short stories, which often depict human nature and the complexities of society with a blend of realism and irony. His most famous works include "The Necklace" and "Boule de Suif," showcasing his keen observation and critique of bourgeois society. Maupassant's literary career was cut short due to mental illness, but he left behind a significant legacy that influenced the short story genre profoundly.
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"After all," Count d'Avorsy said, stirring his tea with the slow movements of a prelate, "what truth was there in anything that was said at Court, almost without any restraint, and did the Empress, whose beauty has been ruined by some secret grief, who will no longer see anyone and who soothes her continual mental weariness by some journeys without an object and without a rest, in...
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The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among...
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Guy de Maupassant Guy de Maupassant was born at the Chateau de Miromesnil, near Dieppe, on August 5th, 1850. The Maupassants were an old Lorraine family who had settled in Normandy in the middle of the Eighteenth Century. His father had married in 1846 a young lady of the rich bourgeoisie, Laure Le Poittevin. With her brother Alfred, she had been the playmate of Gustave Flaubert, the son of a Rouen...
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I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in...
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CHAPTER I. After changing his five-franc piece Georges Duroy left the restaurant. He twisted his mustache in military style and cast a rapid, sweeping glance upon the diners, among whom were three saleswomen, an untidy music-teacher of uncertain age, and two women with their husbands. When he reached the sidewalk, he paused to consider what route he should take. It was the twenty-eighth of June and he...
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OF "THE NOVEL" do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new...
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The Initiation of Saval As they were leaving the Cafe Riche, Jean de Servigny said to Leon Saval: "If you don't object, let us walk. The weather is too fine to take a cab." His friend answered: "I would like nothing better." Jean replied: "It is hardly eleven o'clock. We shall arrive much before midnight, so let us go slowly." A restless crowd was moving along the...
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When the cashier had given him the change out of his five francpiece, George Duroy left the restaurant. As he had a good carriage, both naturally and from his military training, he drew himself up, twirled his moustache, and threw upon the lingering customers a rapid and sweeping glance—one of those glances which take in everything within their range like a casting net. The women looked up at him in...
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ACT I. SCENE I. Mme. de Sallus in her drawing-room, seated in a corner by the fireplace. Enter Jacques de RANDOL noiselessly; glances to see that no one is looking, and kisses Mme. de Sallus quickly upon her hair. She starts; utters a faint cry, and turns upon him. MME. DE SALLUS Oh! How imprudent you are! JACQUES DE RANDOL Don't be afraid; no one saw me. MME. DE SALLUS But the servants! JACQUES...
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GUY DE MAUPASSANT Of the French writers of romance of the latter part of the nineteenth century no one made a reputation as quickly as did Guy de Maupassant. Not one has preserved that reputation with more ease, not only during life, but in death. None so completely hides his personality in his glory. In an epoch of the utmost publicity, in which the most insignificant deeds of a celebrated man are...
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