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Gertrude Franklin Horn Atherton
Gertrude Franklin Horn Atherton (1857-1948) was an influential American writer known for her vivid portrayals of California life and strong, unconventional female characters. Her most famous works include "The Californians" (1898) and "Black Oxen" (1923), the latter of which was adapted into a silent film. Atherton's writing was noted for its bold themes and innovative narrative style, making her a prominent figure in early 20th-century American literature.
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The Valiant Runaways I Roldan Castanada walked excitedly up and down the verandah of his father's house, his thumbs thrust into the red silk sash that was knotted about his waist, his cambric shirt open at the throat as if pulled impatiently apart; the soft grey sombrero on the back of his curly head making a wide frame for his dark, flushed, scowling face. There was nothing in the surroundings to...
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INTRODUCTION A long list of works Gertrude Atherton has to her credit as a writer. She is indisputably a woman of genius. Not that her genius is distinctively feminine, though she is in matters historical a passionate partisan. Most of the critics who approve her work agree that in the main she views life with somewhat of the masculine spirit of liberality. She is as much the realist as one can be who...
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CHAPTER I I Price Ruyler knew that many secrets had been inhumed by the earthquake and fire of San Francisco and wondered if his wife's had been one of them. After all, she had been born in this city of odd and whispered pasts, and there were moments when his silent mother-in-law suggested a past of her own. That there was a secret of some sort he had been progressively convinced for quite six...
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THE PEARLS OF LORETO I Within memory of the most gnarled and coffee-coloured Montereño never had there been so exciting a race day. All essential conditions seemed to have held counsel and agreed to combine. Not a wreath of fog floated across the bay to dim the sparkling air. Every horse, every vaquero, was alert and physically perfect. The rains were over; the dust was not gathered. Pio Pico,...
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"I won't study another word to-day!" Helena tipped the table, spilling the books to the floor. "I want to go out in the sun. Go home, Miss Phelps, that's a dear. Anyhow, it won't do you a bit of good to stay." Miss Phelps, young herself, glanced angrily at her briery charge, longingly at the brilliant blue of sky and bay beyond the long window. "I leave it to Miss...
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I The Bell in the Fog I he great author had realized one of the dreams of his ambitious youth, the possession of an ancestral hall in England. It was not so much the good American's reverence for ancestors that inspired the longing to consort with the ghosts of an ancient line, as artistic appreciation of the mellowness, the dignity, the aristocratic aloofness of walls that have sheltered, and...
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WHAT DREAMS MAY COME. THE OVERTURE. Constantinople; the month of August; the early days of the century. It was the hour of the city's most perfect beauty. The sun was setting, and flung a mellowing glow over the great golden domes and minarets of the mosques, the bazaars glittering with trifles and precious with elements of Oriental luxury, the tortuous thoroughfares with their motley throng, the...
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I There was no Burlingame in the Sixties, the Western Addition was a desert of sand dunes and the goats gambolled through the rocky gulches of Nob Hill. But San Francisco had its Rincon Hill and South Park, Howard and Fulsom and Harrison Streets, coldly aloof from the tumultuous hot heart of the City north of Market Street. In this residence section the sidewalks were also wooden and uneven and the...
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"If we receive this Lady Mary Montgomery, we shall also have to receive her dreadful husband." "He is said to be quite charming." "He is a Representative!" "Of course they are all wild animals to you, but one or two have been pointed out to me that looked quite like ordinary gentlemen—really." "Possibly. But no person in official life has ever entered my house. I...
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I. It was at Governor Alvarado's house in Monterey that Chonita first knew of Diego Estenega. I had told him much of her, but had never cared to mention the name of Estenega in the presence of an Iturbi y Moncada. Chonita came to Monterey to stand godmother to the child of Alvarado and of her friend Doña Martina, his wife. She arrived the morning before the christening, and no one thought to tell...
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