SCENE I.—The Upper Chamber in Holyrood. The four MARIES. MARY BEATON (sings):—   1.  Le navire  Est a l'eau;  Entends rire  Ce gros flot  Que fait luire  Et bruire  Le vieux sire  Aquilo.   2.  Dans l'espace  Du grand air  Le vent passe  Comme un fer;  Siffle et sonne,  Tombe et tonne,  Prend et donne  A la mer.   3.  Vois, la brise  Tourne au... more...

SOUPS. Bouillon Soup. 4 pounds of round of beef cut into dice pieces. Trim off all fatty skin. 4 quarts water; 1 teaspoonful celery seed; 4 large onions; 6 large carrots; bunch of parsley; 6 blades of mace; 16 whole cloves, salt and pepper to taste. Pour on the water, and let it simmer six hours, skimming carefully, for if any grease is allowed to go back into the soup it is impossible to make it... more...

Introduction To First Edition. The incidents which are published in this volume, are vouched for upon the strongest proofs of authenticity possible to obtain, and are either of circumstances known amid my own experience, or connected with the lives of my correspondents and their friends. They are the thankful record and tribute to the power of persevering faith. Nothing has been published concerning... more...

PREFACE Romances of the future, however fantastic they may be, have for most of us a perennial if mild interest, since they are born of a very common feeling—a sense of dissatisfaction with the existing order of things, combined with a vague faith in or hope of a better one to come. The picture put before us is false; we knew it would be false before looking at it, since we cannot imagine what is... more...

PREFACE In July, 1898, I presented at the National Educational Association, convened in Washington, a Course of Study in English. At Los Angeles, in 1899, the Association indorsed the principles of this course, and made it the basis of the Course in English for High Schools. At the request of friends, I have prepared this short text-book, outlining the method of carrying forward the course, and... more...

PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a... more...

For nearly one hundred years this curious problem has exercised the imagination of writers of fiction—and of drama, and the patience of the learned in history. No subject is more obscure and elusive, and none more attractive to the general mind. It is a legend to the meaning of which none can find the key and yet in which everyone believes. Involuntarily we feel pity at the thought of that long... more...

IntroductionThe book's appeal.This book has a purpose, which is as simple as it is plain; and an unpretentious scope. It does not aim to edify either the musical professor or the musical scholar. It comes into the presence of the musical student with all becoming modesty. Its business is with those who love music and present themselves for its gracious ministrations in Concert-Room and Opera... more...

FLOURISHING MEDIOCRITY Humanity is rapidly becoming less the outcome of a natural process of development, and more and more the product of an organized educational plan. The average educated man possesses no real individuality. He is simply a manufactured article bearing the stamp of the maker. Year by year this fact is becoming more emphasized. During the past century almost every civilized country... more...

WHY AND WHEREFORE When over eighty years of age, the poet Bryant said that he had added more than ten years to his life by taking a simple exercise while dressing in the morning. Those who knew Bryant and the facts of his life never doubted the truth of this statement. I have made inquiries lately among men who are eighty years of age, as to their method of waking up. Almost without exception, I find... more...