MY MOTHER'S KISS.   My mother's kiss, my mother's kiss,     I feel its impress now;  As in the bright and happy days     She pressed it on my brow.   You say it is a fancied thing     Within my memory fraught;  To me it has a sacred place—     The treasure house of thought.   Again, I feel her fingers glide     Amid my clustering hair;  I see the... more...

INTRODUCTION Any ordinary, active man, provided he has reasonably good eyesight and nerve, can fly, and fly well. If he has nerve enough to drive an automobile through the streets of a large city, and perhaps argue with a policeman on the question of speed limits, he can take himself off the ground in an airplane, and also land—a thing vastly more difficult and dangerous. We hear a great deal about... more...

Chapter 1.1.I. Louis the Well-Beloved. President Henault, remarking on royal Surnames of Honour how difficult it often is to ascertain not only why, but even when, they were conferred, takes occasion in his sleek official way, to make a philosophical reflection. 'The Surname of Bien-aime (Well-beloved),' says he, 'which Louis XV. bears, will not leave posterity in the same doubt. This... more...

CHAPTER VI. THE GREAT CONSPIRACY MATURING. The 6th of November, 1860, came and passed; on the 7th, the prevailing conviction that Lincoln would be elected had become a certainty, and before the close of that day, the fact had been heralded throughout the length and breadth of the Republic. The excitement of the People was unparalleled. The Republicans of the North rejoiced that at last the great wrong... more...

PREFACE "Jean-Christophe" is the history of the development of a musician of genius. The present volume comprises the first four volumes of the original French, viz.: "L'Aube," "Le Matin," "L'Adolescent," and "La Révólte," which are designated in the translation as Part I—The Dawn; Part II—Morning; Part III—Youth; Part IV—Revolt. Parts I and... more...

Xanthias Shall I crack any of those old jokes, master,At which the audience never fail to laugh? DIONYSUS. Aye, what you will, except I'm getting crushed: Fight shy of that: I'm sick of that already. XAN. Nothing else smart? DIO. Aye, save my shoulder's aching. XAN. Come now, that comical joke? DIO. With all my heart. Only be careful not to shift your pole,And— XAN. What? DIO. And vow... more...

PREFACE Looking upon the human body from the physical point of view as the most perfect, most ingeniously economical, and most beautiful of living machines, the author has attempted to write a little handbook of practical instruction for the running of it. And seeing that, like other machines, it derives the whole of its energy from its fuel, the subject of foods—their properties, uses, and methods... more...

Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that... more...

From above came the sound of men singing. Captain Duke O'Neill stopped clipping his heavy black beard to listen. It had been a long time since he'd heard such a sound—longer than the time since he'd last had a bath or seen a woman. It had never been the singing type of war. Yet now even the high tenor of old Teroini, who lay on a pad with neither legs nor arms, was mixed into the... more...

ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You... more...