ENGLISH A COMPOSITE LANGUAGE “A very slight acquaintance with the history of our own language will teach us that the speech of Chaucer’s age is not the speech of Skelton’s, that there is a great difference between the language under Elizabeth and that under Charles the First, between that under Charles the First and Charles the Second, between that under Charles the Second and Queen Anne; that... more...

CHAPTER I HERMIA Titine glanced at the parted curtains and empty bed, then at the clock, and yawned. It was not yet eight o'clock. From the look of things, she was sure that Miss Challoner had arisen and departed for a morning ride before the breaking of the dawn. She peered out of the window and contracted her shoulders expressively. To ride in the cold morning air upon a violent horse when she... more...

Chapter I Four Special Memory Processes You have learned of the sense-perceptive and judicial processes by which your mind acquires its knowledge of the outside world. You come now to a study of the phenomenon of memory, the instrument by which your mind retains and makes use of its knowledge, the agency that has power to resurrect the buried past or power to enfold us in a Paradise of dreams more... more...

PERCY BYSSHE SHELLEY, AS A PHILOSOPHER AND REFORMER. A PAPER READ BEFORE THE NEW YORK LIBERAL CLUB, ON FRIDAY, AUGUST 6TH, 1875.  "Let us see the Truth, whatever that may be."—SHELLEY, 1822.   Mr. Vice-President and Members of the Liberal Club: "The Blood of the Martyr is the Seed of the Church." Persecution ever fails in accomplishing its desired ends, and as a rule lays the... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must... more...

CHAPTER I STYLE IN PEN DRAWING Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its... more...

. Councillor Krespel was one of the strangest, oddest men I ever met with in my life. When I went to live in H—— for a time the whole town was full of talk about him, as he happened to be just then in the midst of one of the very craziest of his schemes. Krespel had the reputation of being both a clever, learn lawyer and a skilful diplomatist. One of the reigning princes of Germany—not, however,... more...

This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in... more...

GUY DE MAUPASSANT—A STUDY BY POL. NEVEUX "I entered literary life as a meteor, and I shall leave it like a thunderbolt." These words of Maupassant to Jose Maria de Heredia on the occasion of a memorable meeting are, in spite of their morbid solemnity, not an inexact summing up of the brief career during which, for ten years, the writer, by turns undaunted and sorrowful, with the fertility of... more...