Honore de Balzac

Honore de Balzac
Honoré de Balzac was a prominent French novelist and playwright known for his extensive and detailed depiction of society in early 19th-century France. He is best known for "La Comédie Humaine," a series of over 90 interlinked novels and stories that explore a wide range of characters and social classes. Balzac's keen observations and complex characters significantly influenced the development of realism in literature.

Author's Books:

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A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to... more...

AT THE SIGN OF THE CAT AND RACKET Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the... more...

THE NAPOLEON OF THE PEOPLE Napoleon, you see, my friends, was born in Corsica, which is a French island warmed by the Italian sun; it is like a furnace there, everything is scorched up, and they keep on killing each other from father to son for generations all about nothing at all—'tis a notion they have. To begin at the beginning, there was something extraordinary about the thing from the... more...

HONORINE If the French have as great an aversion for traveling as the English have a propensity for it, both English and French have perhaps sufficient reasons. Something better than England is everywhere to be found; whereas it is excessively difficult to find the charms of France outside France. Other countries can show admirable scenery, and they frequently offer greater comfort than that of France,... more...

THE UNKINDEST CUT OF ALL. Is it a petty or a profound trouble? I knew not; it is profound for your sons-in-law or daughters-in-law, but exceedingly petty for you. "Petty! You must be joking; why, a child costs terribly dear!" exclaims a ten-times-too-happy husband, at the baptism of his eleventh, called the little last newcomer,—a phrase with which women beguile their families. "What... more...

ALBERT SAVARUS One of the few drawing-rooms where, under the Restoration, the Archbishop of Besancon was sometimes to be seen, was that of the Baronne de Watteville, to whom he was particularly attached on account of her religious sentiments. A word as to this lady, the most important lady of Besancon. Monsieur de Watteville, a descendant of the famous Watteville, the most successful and illustrious of... more...

If, reader, you have grasped the intent of this book,—and infinite honor is done you by the supposition: the profoundest author does not always comprehend, I may say never comprehends, the different meanings of his book, nor its bearing, nor the good nor the harm it may do—if, then, you have bestowed some attention upon these little scenes of married life, you have perhaps noticed their color—... more...

I There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he... more...

CHAPTER I There is a house at Douai in the rue de Paris, whose aspect, interior arrangements, and details have preserved, to a greater degree than those of other domiciles, the characteristics of the old Flemish buildings, so naively adapted to the patriarchal manners and customs of that excellent land. Before describing this house it may be well, in the interest of other writers, to explain the... more...

I. LOUISE DE CHAULIEU TO RENEE DE MAUCOMBE. PARIS, September. Sweetheart, I too am free! And I am the first too, unless you have written to Blois, at our sweet tryst of letter-writing. Raise those great black eyes of yours, fixed on my opening sentence, and keep this excitement for the letter which shall tell you of my first love. By the way, why always "first?" Is there, I wonder, a second... more...

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