INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could... more...

CHAPTER I. TWO CHILDHOODS To what genius fed on tears shall we some day owe that most touching of all elegies,—the tale of tortures borne silently by souls whose tender roots find stony ground in the domestic soil, whose earliest buds are torn apart by rancorous hands, whose flowers are touched by frost at the moment of their blossoming? What poet will sing the sorrows of the child whose lips must... more...

GAMBARA New Year's Day of 1831 was pouring out its packets of sugared almonds, four o'clock was striking, there was a mob in the Palais-Royal, and the eating-houses were beginning to fill. At this moment a coupe drew up at the perron and a young man stepped out; a man of haughty appearance, and no doubt a foreigner; otherwise he would not have displayed the aristocratic chasseur who attended... more...

COUSIN PONS Towards three o'clock in the afternoon of one October day in the year 1844, a man of sixty or thereabouts, whom anybody might have credited with more than his actual age, was walking along the Boulevard des Italiens with his head bent down, as if he were tracking some one. There was a smug expression about the mouth—he looked like a merchant who has just done a good stroke of... more...

CHAPTER I. AN OLD MONASTERY "Come, deputy of the Centre, forward! Quick step! march! if we want to be in time to dine with the others. Jump, marquis! there, that's right! why, you can skip across a stubble-field like a deer!" These words were said by a huntsman peacefully seated at the edge of the forest of Ile-Adam, who was finishing an Havana cigar while waiting for his companion, who... more...

THE RECRUIT At times they saw him, by a phenomenon of vision or locomotion,abolish space in its two forms of Time and Distance; the formerbeing intellectual space, the other physical space. Intellectual History of Louis Lambert. On an evening in the month of November, 1793, the principal persons of Carentan were assembled in the salon of Madame de Dey, where they met daily. Several circumstances which... more...

"Marriage is not an institution of nature. The family in the east is entirely different from the family in the west. Man is the servant of nature, and the institutions of society are grafts, not spontaneous growths of nature. Laws are made to suit manners, and manners vary. "Marriage must therefore undergo the gradual development towards perfection to which all human affairs submit." These... more...

FACINO CANE I once used to live in a little street which probably is not known to you—the Rue de Lesdiguieres. It is a turning out of the Rue Saint-Antoine, beginning just opposite a fountain near the Place de la Bastille, and ending in the Rue de la Cerisaie. Love of knowledge stranded me in a garret; my nights I spent in work, my days in reading at the Bibliotheque d'Orleans, close by. I lived... more...

I. THE MALADY OF THE AGE On a fine evening in the month of September, 1836, a man about thirty years of age was leaning on the parapet of that quay from which a spectator can look up the Seine from the Jardin des Plantes to Notre-Dame, and down, along the vast perspective of the river, to the Louvre. There is not another point of view to compare with it in the capital of ideas. We feel ourselves on the... more...

THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow... more...