INTRODUCTION The Histoire des Treize consists—or rather is built up—of three stories: Ferragus or the Rue Soly, La Duchesse de Langeais or Ne touchez-paz a la hache, and La Fille aux Yeux d'Or. To tell the truth, there is more power than taste throughout the Histoire des Treize, and perhaps not very much less unreality than power. Balzac is very much better than Eugene Sue, though Eugene Sue... more...

INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could... more...

A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to... more...

PROLOGUE Certain persons have reproached the Author for knowing no more about the language of the olden times than hares do of telling stories. Formerly these people would have been vilified, called cannibals, churls, and sycophants, and Gomorrah would have been hinted at as their natal place. But the Author consents to spare them the flowery epithets of ancient criticism; he contents himself with... more...

A DRAMA ON THE SEASHORE Nearly all young men have a compass with which they delight in measuring the future. When their will is equal to the breadth of the angle at which they open it the world is theirs. But this phenomenon of the inner life takes place only at a certain age. That age, which for all men lies between twenty-two and twenty-eight, is the period of great thoughts, of fresh conceptions,... more...

CHAPTER I. EXPOSITION Notwithstanding the discipline which Marechal Suchet had introduced into his army corps, he was unable to prevent a short period of trouble and disorder at the taking of Tarragona. According to certain fair-minded military men, this intoxication of victory bore a striking resemblance to pillage, though the marechal promptly suppressed it. Order being re-established, each regiment... more...

INTRODUCTION There is a general cry of paradox when scholars, struck by some historical error, attempt to correct it; but, for whoever studies modern history to its depths, it is plain that historians are privileged liars, who lend their pen to popular beliefs precisely as the newspapers of the day, or most of them, express the opinions of their readers. Historical independence has shown itself much... more...

I In September, 1835, one of the richest heiresses of the faubourg Saint-Germain, Mademoiselle du Rouvre, the only daughter of the Marquis du Rouvre, married Comte Adam Mitgislas Laginski, a young Polish exile. We ask permission to write these Polish names as they are pronounced, to spare our readers the aspect of the fortifications of consonants by which the Slave language protects its... more...

PIERRE GRASSOU Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,—this time by a populace... more...

During winter nights noise never ceases in the Rue Saint-Honore except for a short interval. Kitchen-gardeners carrying their produce to market continue the stir of carriages returning from theatres and balls. Near the middle of this sustained pause in the grand symphony of Parisian uproar, which occurs about one o'clock in the morning, the wife of Monsieur Cesar Birotteau, a perfumer established... more...