INTRODUCTION The Histoire des Treize consists—or rather is built up—of three stories: Ferragus or the Rue Soly, La Duchesse de Langeais or Ne touchez-paz a la hache, and La Fille aux Yeux d'Or. To tell the truth, there is more power than taste throughout the Histoire des Treize, and perhaps not very much less unreality than power. Balzac is very much better than Eugene Sue, though Eugene Sue... more...

INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could... more...

ACT I SCENE FIRST (Setting is an attic and workshop of an artificial flower-maker. It ispoorly lighted by means of a candle placed on the work-table. Theceiling slopes abruptly at the back allowing space to conceal a man.On the right is a door, on the left a fireplace. Pamela is discoveredat work, and Joseph Binet is seated near her.) Pamela, Joseph Binet and later Jules Rousseau. PamelaMonsieur Joseph... more...

STUDY OF A WOMAN The Marquise de Listomere is one of those young women who have been brought up in the spirit of the Restoration. She has principles, she fasts, takes the sacrament, and goes to balls and operas very elegantly dressed; her confessor permits her to combine the mundane with sanctity. Always in conformity with the Church and with the world, she presents a living image of the present day,... more...

A TREATISE ON MARITAL POLICY. When a man reaches the position in which the first part of this book sets him, we suppose that the idea of his wife being possessed by another makes his heart beat, and rekindles his passion, either by an appeal to his amour propre, his egotism, or his self-interest, for unless he is still on his wife's side, he must be one of the lowest of men and deserves his fate.... more...

PROLOGUE Certain persons have reproached the Author for knowing no more about the language of the olden times than hares do of telling stories. Formerly these people would have been vilified, called cannibals, churls, and sycophants, and Gomorrah would have been hinted at as their natal place. But the Author consents to spare them the flowery epithets of ancient criticism; he contents himself with... more...

THE NAPOLEON OF THE PEOPLE Napoleon, you see, my friends, was born in Corsica, which is a French island warmed by the Italian sun; it is like a furnace there, everything is scorched up, and they keep on killing each other from father to son for generations all about nothing at all—'tis a notion they have. To begin at the beginning, there was something extraordinary about the thing from the... more...

A DRAMA ON THE SEASHORE Nearly all young men have a compass with which they delight in measuring the future. When their will is equal to the breadth of the angle at which they open it the world is theirs. But this phenomenon of the inner life takes place only at a certain age. That age, which for all men lies between twenty-two and twenty-eight, is the period of great thoughts, of fresh conceptions,... more...

I. EARLY MISTAKES It was a Sunday morning in the beginning of April 1813, a morning which gave promise of one of those bright days when Parisians, for the first time in the year, behold dry pavements underfoot and a cloudless sky overhead. It was not yet noon when a luxurious cabriolet, drawn by two spirited horses, turned out of the Rue de Castiglione into the Rue de Rivoli, and drew up behind a row... more...

INTRODUCTION La Cousine Bette was perhaps the last really great thing that Balzac did—for Le Cousin Pons, which now follows it, was actually written before—and it is beyond all question one of the very greatest of his works. It was written at the highest possible pressure, and (contrary to the author's more usual system) in parts, without even seeing a proof, for the Constitutionnel in the... more...