INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could... more...

A TREATISE ON MARITAL POLICY. When a man reaches the position in which the first part of this book sets him, we suppose that the idea of his wife being possessed by another makes his heart beat, and rekindles his passion, either by an appeal to his amour propre, his egotism, or his self-interest, for unless he is still on his wife's side, he must be one of the lowest of men and deserves his fate.... more...

PROLOGUE Certain persons have reproached the Author for knowing no more about the language of the olden times than hares do of telling stories. Formerly these people would have been vilified, called cannibals, churls, and sycophants, and Gomorrah would have been hinted at as their natal place. But the Author consents to spare them the flowery epithets of ancient criticism; he contents himself with... more...

A DRAMA ON THE SEASHORE Nearly all young men have a compass with which they delight in measuring the future. When their will is equal to the breadth of the angle at which they open it the world is theirs. But this phenomenon of the inner life takes place only at a certain age. That age, which for all men lies between twenty-two and twenty-eight, is the period of great thoughts, of fresh conceptions,... more...

I. EARLY MISTAKES It was a Sunday morning in the beginning of April 1813, a morning which gave promise of one of those bright days when Parisians, for the first time in the year, behold dry pavements underfoot and a cloudless sky overhead. It was not yet noon when a luxurious cabriolet, drawn by two spirited horses, turned out of the Rue de Castiglione into the Rue de Rivoli, and drew up behind a row... more...

During winter nights noise never ceases in the Rue Saint-Honore except for a short interval. Kitchen-gardeners carrying their produce to market continue the stir of carriages returning from theatres and balls. Near the middle of this sustained pause in the grand symphony of Parisian uproar, which occurs about one o'clock in the morning, the wife of Monsieur Cesar Birotteau, a perfumer established... more...

INTRODUCTION La Cousine Bette was perhaps the last really great thing that Balzac did—for Le Cousin Pons, which now follows it, was actually written before—and it is beyond all question one of the very greatest of his works. It was written at the highest possible pressure, and (contrary to the author's more usual system) in parts, without even seeing a proof, for the Constitutionnel in the... more...

I. THE LORRAINS At the dawn of an October day in 1827 a young fellow about sixteen years of age, whose clothing proclaimed what modern phraseology so insolently calls a proletary, was standing in a small square of Lower Provins. At that early hour he could examine without being observed the various houses surrounding the open space, which was oblong in form. The mills along the river were already... more...

THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow... more...

CHAPTER I. ONE OF MANY CHEVALIERS DE VALOIS Most persons have encountered, in certain provinces in France, a number of Chevaliers de Valois. One lived in Normandy, another at Bourges, a third (with whom we have here to do) flourished in Alencon, and doubtless the South possesses others. The number of the Valesian tribe is, however, of no consequence to the present tale. All these chevaliers, among whom... more...