THE ELIXIR OF LIFE One winter evening, in a princely palace at Ferrara, Don Juan Belvidero was giving a banquet to a prince of the house of Este. A banquet in those times was a marvelous spectacle which only royal wealth or the power of a mightly [sic] lord could furnish forth. Seated about a table lit up with perfumed tapers, seven laughter-loving women were interchanging sweet talk. The white marble... more...

I. THE MALADY OF THE AGE On a fine evening in the month of September, 1836, a man about thirty years of age was leaning on the parapet of that quay from which a spectator can look up the Seine from the Jardin des Plantes to Notre-Dame, and down, along the vast perspective of the river, to the Louvre. There is not another point of view to compare with it in the capital of ideas. We feel ourselves on the... more...

THE UNKINDEST CUT OF ALL. Is it a petty or a profound trouble? I knew not; it is profound for your sons-in-law or daughters-in-law, but exceedingly petty for you. "Petty! You must be joking; why, a child costs terribly dear!" exclaims a ten-times-too-happy husband, at the baptism of his eleventh, called the little last newcomer,—a phrase with which women beguile their families. "What... more...

CHAPTER I. SERAPHITUS As the eye glances over a map of the coasts of Norway, can the imagination fail to marvel at their fantastic indentations and serrated edges, like a granite lace, against which the surges of the North Sea roar incessantly? Who has not dreamed of the majestic sights to be seen on those beachless shores, of that multitude of creeks and inlets and little bays, no two of them alike,... more...

INTRODUCTION "Marriage is not an institution of nature. The family in the east is entirely different from the family in the west. Man is the servant of nature, and the institutions of society are grafts, not spontaneous growths of nature. Laws are made to suit manners, and manners vary. "Marriage must therefore undergo the gradual development towards perfection to which all human affairs... more...

CHAPTER I. ONE OF MANY CHEVALIERS DE VALOIS Most persons have encountered, in certain provinces in France, a number of Chevaliers de Valois. One lived in Normandy, another at Bourges, a third (with whom we have here to do) flourished in Alencon, and doubtless the South possesses others. The number of the Valesian tribe is, however, of no consequence to the present tale. All these chevaliers, among whom... more...

THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow... more...

CHAPTER I. THE FRIGHTENED HEIRS Entering Nemours by the road to Paris, we cross the canal du Loing, the steep banks of which serve the double purpose of ramparts to the fields and of picturesque promenades for the inhabitants of that pretty little town. Since 1830 several houses had unfortunately been built on the farther side of the bridge. If this sort of suburb increases, the place will lose its... more...

ACT I SCENE FIRST (A richly decorated drawing-room; on the walls are portraits of Napoleon I. and his son. The entry is by a large double glass door, which opens on a roofed veranda and leads by a short stairway to a park. The door of Pauline's apartments are on the right; those of the General and his wife are on the left. On the left side of the central doorway is a table, and on the right is a... more...

INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could... more...