I. EARLY MISTAKES It was a Sunday morning in the beginning of April 1813, a morning which gave promise of one of those bright days when Parisians, for the first time in the year, behold dry pavements underfoot and a cloudless sky overhead. It was not yet noon when a luxurious cabriolet, drawn by two spirited horses, turned out of the Rue de Castiglione into the Rue de Rivoli, and drew up behind a row... more...

ALMAE SORORI In the year 1308 few houses were yet standing on the Island formed by the alluvium and sand deposited by the Seine above the Cite, behind the Church of Notre-Dame. The first man who was so bold as to build on this strand, then liable to frequent floods, was a constable of the watch of the City of Paris, who had been able to do some service to their Reverences the Chapter of the Cathedral;... more...

I. LOUISE DE CHAULIEU TO RENEE DE MAUCOMBE. PARIS, September. Sweetheart, I too am free! And I am the first too, unless you have written to Blois, at our sweet tryst of letter-writing. Raise those great black eyes of yours, fixed on my opening sentence, and keep this excitement for the letter which shall tell you of my first love. By the way, why always "first?" Is there, I wonder, a second... more...

PROLOGUE Certain persons have reproached the Author for knowing no more about the language of the olden times than hares do of telling stories. Formerly these people would have been vilified, called cannibals, churls, and sycophants, and Gomorrah would have been hinted at as their natal place. But the Author consents to spare them the flowery epithets of ancient criticism; he contents himself with... more...

EVE AND DAVID Lucien had gone to Paris; and David Sechard, with the courage and intelligence of the ox which painters give the Evangelist for accompanying symbol, set himself to make the large fortune for which he had wished that evening down by the Charente, when he sat with Eve by the weir, and she gave him her hand and her heart. He wanted to make the money quickly, and less for himself than for... more...

A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to... more...

STUDY OF A WOMAN The Marquise de Listomere is one of those young women who have been brought up in the spirit of the Restoration. She has principles, she fasts, takes the sacrament, and goes to balls and operas very elegantly dressed; her confessor permits her to combine the mundane with sanctity. Always in conformity with the Church and with the world, she presents a living image of the present day,... more...

ACT I SCENE FIRST (Setting is an attic and workshop of an artificial flower-maker. It ispoorly lighted by means of a candle placed on the work-table. Theceiling slopes abruptly at the back allowing space to conceal a man.On the right is a door, on the left a fireplace. Pamela is discoveredat work, and Joseph Binet is seated near her.) Pamela, Joseph Binet and later Jules Rousseau. PamelaMonsieur Joseph... more...

AT THE SIGN OF THE CAT AND RACKET Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the... more...

INTRODUCTION The Histoire des Treize consists—or rather is built up—of three stories: Ferragus or the Rue Soly, La Duchesse de Langeais or Ne touchez-paz a la hache, and La Fille aux Yeux d'Or. To tell the truth, there is more power than taste throughout the Histoire des Treize, and perhaps not very much less unreality than power. Balzac is very much better than Eugene Sue, though Eugene Sue... more...