PROLOGUE Certain persons have reproached the Author for knowing no more about the language of the olden times than hares do of telling stories. Formerly these people would have been vilified, called cannibals, churls, and sycophants, and Gomorrah would have been hinted at as their natal place. But the Author consents to spare them the flowery epithets of ancient criticism; he contents himself with... more...

EVE AND DAVID Lucien had gone to Paris; and David Sechard, with the courage and intelligence of the ox which painters give the Evangelist for accompanying symbol, set himself to make the large fortune for which he had wished that evening down by the Charente, when he sat with Eve by the weir, and she gave him her hand and her heart. He wanted to make the money quickly, and less for himself than for... more...

A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to... more...

STUDY OF A WOMAN The Marquise de Listomere is one of those young women who have been brought up in the spirit of the Restoration. She has principles, she fasts, takes the sacrament, and goes to balls and operas very elegantly dressed; her confessor permits her to combine the mundane with sanctity. Always in conformity with the Church and with the world, she presents a living image of the present day,... more...

ACT I SCENE FIRST (Setting is an attic and workshop of an artificial flower-maker. It ispoorly lighted by means of a candle placed on the work-table. Theceiling slopes abruptly at the back allowing space to conceal a man.On the right is a door, on the left a fireplace. Pamela is discoveredat work, and Joseph Binet is seated near her.) Pamela, Joseph Binet and later Jules Rousseau. PamelaMonsieur Joseph... more...

CHAPTER I. THE CHALET At the beginning of October, 1829, Monsieur Simon Babylas Latournelle, notary, was walking up from Havre to Ingouville, arm in arm with his son and accompanied by his wife, at whose side the head clerk of the lawyer's office, a little hunchback named Jean Butscha, trotted along like a page. When these four personages (two of whom came the same way every evening) reached the... more...

AT THE SIGN OF THE CAT AND RACKET Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the... more...

INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could... more...

PART I Mme. de Bargeton and Lucien de Rubempre had left Angouleme behind, and were traveling together upon the road to Paris. Not one of the party who made that journey alluded to it afterwards; but it may be believed that an infatuated youth who had looked forward to the delights of an elopement, must have found the continual presence of Gentil, the man-servant, and Albertine, the maid, not a little... more...

HONORINE If the French have as great an aversion for traveling as the English have a propensity for it, both English and French have perhaps sufficient reasons. Something better than England is everywhere to be found; whereas it is excessively difficult to find the charms of France outside France. Other countries can show admirable scenery, and they frequently offer greater comfort than that of France,... more...