CHAPTER I A RENCONTRE There was no particular reason why, after having left the Opera House, I should have retraced my steps and taken my place once more amongst the throng of people who stood about in the entresol, exchanging greetings and waiting for their carriages. A backward glance as I had been about to turn into the Place de l'Opera had arrested my somewhat hurried departure. The night was... more...

SCENE I.—The Upper Chamber in Holyrood. The four MARIES. MARY BEATON (sings):—   1.  Le navire  Est a l'eau;  Entends rire  Ce gros flot  Que fait luire  Et bruire  Le vieux sire  Aquilo.   2.  Dans l'espace  Du grand air  Le vent passe  Comme un fer;  Siffle et sonne,  Tombe et tonne,  Prend et donne  A la mer.   3.  Vois, la brise  Tourne au... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter... more...

PREFACE Romances of the future, however fantastic they may be, have for most of us a perennial if mild interest, since they are born of a very common feeling—a sense of dissatisfaction with the existing order of things, combined with a vague faith in or hope of a better one to come. The picture put before us is false; we knew it would be false before looking at it, since we cannot imagine what is... more...

The Pithecanthropus Silent as the shadows through which he moved, the great beast slunk through the midnight jungle, his yellow-green eyes round and staring, his sinewy tail undulating behind him, his head lowered and flattened, and every muscle vibrant to the thrill of the hunt. The jungle moon dappled an occasional clearing which the great cat was always careful to avoid. Though he moved through... more...

INTRODUCTION A long list of works Gertrude Atherton has to her credit as a writer. She is indisputably a woman of genius. Not that her genius is distinctively feminine, though she is in matters historical a passionate partisan. Most of the critics who approve her work agree that in the main she views life with somewhat of the masculine spirit of liberality. She is as much the realist as one can be who... more...

A WOMAN IN BROWN A tall, well-favoured youth, coming from the farther South, boarded the train for Richmond one raw, gusty morning. He carried his left arm stiffly, his face was thin and brown, and his dingy uniform had holes in it, some made by bullets; but his air and manner were happy, as if, escaped from danger and hardships, he rode on his way to pleasure and ease. He sat for a time gazing out of... more...

I. Man’s Place in Nature, as affected by the Copernican Theory.   When we study the Divine Comedy of Dante—that wonderful book wherein all the knowledge and speculation, all the sorrows and yearnings, of the far-off Middle Ages are enshrined in the glory of imperishable verse—we are brought face to face with a theory of the world and with ways of reasoning about the facts of nature which seem... more...

THE GHOST IN THE MILL "Come, Sam, tell us a story," said I, as Harry and I crept to his knees, in the glow of the bright evening firelight; while Aunt Lois was busily rattling the tea-things, and grandmamma, at the other end of the fireplace, was quietly setting the heel of a blue-mixed yarn stocking. In those days we had no magazines and daily papers, each reeling off a serial story. Once a... more...

Mr. Sherlock Holmes Mr. Sherlock Holmes, who was usually very late in the mornings, save upon those not infrequent occasions when he was up all night, was seated at the breakfast table. I stood upon the hearth-rug and picked up the stick which our visitor had left behind him the night before. It was a fine, thick piece of wood, bulbous-headed, of the sort which is known as a "Penang lawyer."... more...