CHAPTER I. TREATING OF A NOVEL STYLE OF DWELLING HOUSE. For some months after our marriage, Euphemia and I boarded. But we did not like it. Indeed, there was no reason why we should like it. Euphemia said that she never felt at home except when she was out, which feeling, indicating such an excessively unphilosophic state of mind, was enough to make me desire to have a home of my own, where, except... more...

FOREWORD Lysistrata is the greatest work by Aristophanes. This blank and rash statement is made that it may be rejected. But first let it be understood that I do not mean it is a better written work than the Birds or the Frogs, or that (to descend to the scale of values that will be naturally imputed to me) it has any more appeal to the collectors of "curious literature" than the Ecclesiazusae... more...

ON LOVE What is love? Ask him who lives, what is life? ask him who adores, what is God? I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one... more...

Towards the end of November, during a thaw, at nine o'clock one morning, a train on the Warsaw and Petersburg railway was approaching the latter city at full speed. The morning was so damp and misty that it was only with great difficulty that the day succeeded in breaking; and it was impossible to distinguish anything more than a few yards away from the carriage windows. Some of the passengers by... more...

THOUGHT AND CHARACTER THE aphorism, "As a man thinketh in his heart so is he," not only embraces the whole of a man's being, but is so comprehensive as to reach out to every condition and circumstance of his life. A man is literally what he thinks, his character being the complete sum of all his thoughts. As the plant springs from, and could not be without, the seed, so every act of a man... more...

CHAPTER I A GLIMPSE AT THE PAST "Two wild turkeys and seven rabbits. Not such a bad haul after all, Henry." "That is true, Dave. But somehow I wanted to get a deer if I could." "Oh, I reckon almost any hunter would like to bring down a deer," went onDave Morris. "But they are not so plentiful as they were before the war." "That is true." Henry Morris placed the... more...

PREFACE This little work contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1892 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity... more...

Foreword   Some two thousand years ago the greatest teacher who ever walked the earth advised the people of Judea not to build their houses on the sand. What he had in mind was that they were looking too much to the structure above ground, and too little to the spiritual forces which must be the foundation of any structure which is to stand. Following the war we enjoyed the greatest prosperity this... more...

CHAPTER I THE ONONDAGA Tayoga, of the Clan of the Bear, of the nation Onondaga, of the great League of the Hodenosaunee, advanced with utmost caution through a forest, so thick with undergrowth that it hid all objects twenty yards away. He was not armed with a rifle, but carried instead a heavy bow, while a quiver full of arrows hung over his shoulder. He wore less clothing than when he was in the... more...

CHAPTER I A RENCONTRE There was no particular reason why, after having left the Opera House, I should have retraced my steps and taken my place once more amongst the throng of people who stood about in the entresol, exchanging greetings and waiting for their carriages. A backward glance as I had been about to turn into the Place de l'Opera had arrested my somewhat hurried departure. The night was... more...