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John Ruskin
PREFACE. 1. I must pray the readers of the following Lectures to remember that the duty at present laid on me at Oxford is of an exceptionally complex character. Directly, it is to awaken the interest of my pupils in a study which they have hitherto found unattractive, and imagined to be useless; but more imperatively, it is to define the principles by which the study itself should be guided; and to...
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Lyndon Orr
THE STORY OF ANTONY AND CLEOPATRA Of all love stories that are known to human history, the love story of Antony and Cleopatra has been for nineteen centuries the most remarkable. It has tasked the resources of the plastic and the graphic arts. It has been made the theme of poets and of prose narrators. It has appeared and reappeared in a thousand forms, and it appeals as much to the imagination to-day...
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Dorothy Menpes
CHAPTER I ART AND THE DRAMA I always agree with that man who said, “Let me make the nation’s songs and I care not who frames her laws,” or words to that effect, for, in my opinion, nothing so well indicates national character or so keenly accentuates the difference between individuals and nations as the way in which they spend their leisure hours; and the theatres of Japan are thoroughly typical...
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What is a Good Edition? A good edition should be a complete edition, ungarbled and unabridged. If the author is a classic, the format of the copy chosen should in some way represent the style of the author. Gibbon, for instance, should be in large octavo or quarto, with print of a size to correspond. This is not always possible, for English editions of books often aim at mere cheapness, and of many...
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EARLY DAYS To be born on the 28th of February is not altogether without its compensations. It affords a subject of conversation when you are asked to put your name in birthday books. It is evident that many people suppose it to be almost an intrusion to appear on that day. However, it was perfectly satisfactory to me so long as it was not the 29th. As a boy, that was all for which I cared. Still, I...
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CONSIDER HIM Heb. i.-ii. Let us open the Epistle to the Hebrews, with an aim simple and altogether practical for heart and for life. Let us take it just as it stands, and somewhat as a whole. We will not discuss its authorship, interesting and extensive as that problem is. We will not attempt, within the compass of a few short chapters, to expound continuously its wonderful text. Rather, we will gather...
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by:
Humphry Ward
CHAPTER I EARLY DAYS Do we all become garrulous and confidential as we approach the gates of old age? Is it that we instinctively feel, and cannot help asserting, our one advantage over the younger generation, which has so many over us?—the one advantage of time! After all, it is not disputable that we have lived longer than they. When they talk of past poets, or politicians, or novelists, whom the...
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INTRODUCTORY NOTE BENJAMIN FRANKLIN was born in Milk Street, Boston, on January 6, 1706. His father, Josiah Franklin, was a tallow chandler who married twice, and of his seventeen children Benjamin was the youngest son. His schooling ended at ten, and at twelve he was bound apprentice to his brother James, a printer, who published the "New England Courant." To this journal he became a...
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With the death of Sardanapalus, the great monarch of Assyria, and the taking of Nineveh, the capital city, by the Medes, the kingdom of Assyria came to an end, and the vast domain was parcelled out among the conquerors. At the time of the catastrophe, the district of Babylonia, with its capital city Babylon, was ruled as a dependent satrapy of Assyria by Nabopolassar. Aided by the Medes, he now took...
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Kenyon Cox
ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for...
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