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LIGHT ON THE PATH I These rules are written for all disciples:Attend you to them. Before the eyes can see, they must be incapable of tears. Before the ear can hear, it must have lost its sensitiveness. Before the voice can speak in the presence of the Masters it must have lost the power to wound. Before the soul can stand in the presence of the Masters its feet must be washed in the blood of the heart.... more...

PROLOGUE What I am anxious to attempt in this anticipatory summary of the contents of this book is a simple estimate of its final conclusions, in such a form as shall eliminate all technical terms and reduce the matter to a plain statement, intelligible as far as such a thing can be made intelligible, to the apprehension of such persons as have not had the luck, or the ill-luck, of a plunge into the... more...

Chapter I MENTAL SECOND WINDSticking to the JobAre you an unusually persevering and persistent person? Or, like most of us, do you sometimes find it difficult to stick to the job until it is done? What is your usual experience in this respect? Is it not this, that you work steadily along until of a sudden you become conscious of a feeling of weariness, crying "Enough!" for the time being, and... more...

THE RENEWAL OF LIFE Every human being must sooner or later know the facts concerning the origin of his life on the earth. One of the most puzzling questions is how and when such information should be given to the young. There is nothing the parent more desires than that his child should have a high ideal in regard to the sex-life and that he should live in accordance with that ideal, yet nowhere is... more...

INTRODUCTION A long list of works Gertrude Atherton has to her credit as a writer. She is indisputably a woman of genius. Not that her genius is distinctively feminine, though she is in matters historical a passionate partisan. Most of the critics who approve her work agree that in the main she views life with somewhat of the masculine spirit of liberality. She is as much the realist as one can be who... more...

PERCY BYSSHE SHELLEY, AS A PHILOSOPHER AND REFORMER. A PAPER READ BEFORE THE NEW YORK LIBERAL CLUB, ON FRIDAY, AUGUST 6TH, 1875.  "Let us see the Truth, whatever that may be."—SHELLEY, 1822.   Mr. Vice-President and Members of the Liberal Club: "The Blood of the Martyr is the Seed of the Church." Persecution ever fails in accomplishing its desired ends, and as a rule lays the... more...

Art

I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must... more...

This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in... more...

INTRODUCTION There are other manifestations of greatness than to relieve suffering or to wreck an empire. Julius Cæsar and John Howard are not the only heroes who have smiled upon the world. In the supreme adaptation of means to an end there is a constant nobility, for neither ambition nor virtue is the essential of a perfect action. How shall you contemplate with indifference the career of an artist... more...

INTRODUCTION AIMS AND PURPOSES OF SPEAKING It is obvious that the style of your public speaking will depend upon the specific purpose you have in view. If you have important truths which you wish to make known, or a great and definite cause to serve, you are likely to speak about it with earnestness and probably with eloquence. If, however, your purpose in speaking is a selfish one—if your object is... more...