Arnold Bennett

THE LION'S SHARE I In the Five Towns the following history is related by those who know it as something side-splittingly funny—as one of the best jokes that ever occurred in a district devoted to jokes. And I, too, have hitherto regarded it as such. But upon my soul, now that I come to write it down, it strikes me as being, after all, a pretty grim tragedy. However, you shall judge, and laugh or... more...

This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in... more...

CHAPTER I THE HOUSEHOLD AT HILLPORT She was walking, with her customary air of haughty and rapt leisure, across the market-place of Bursley, when she observed in front of her, at the top of Oldcastle Street, two men conversing and gesticulating vehemently, each seated alone in a dog-cart. These persons, who had met from opposite directions, were her husband, John Stanway, the earthenware manufacturer,... more...

The Last of a Schoolboy. Edwin Clayhanger stood on the steep-sloping, red-bricked canal bridge, in the valley between Bursley and its suburb Hillport. In that neighbourhood the Knype and Mersey canal formed the western boundary of the industrialism of the Five Towns. To the east rose pitheads, chimneys, and kilns, tier above tier, dim in their own mists. To the west, Hillport Fields, grimed but... more...

I - ALL MEANS AND NO END I The plain man on a plain day wakes up, slowly or quickly according to his temperament, and greets the day in a mental posture which might be thus expressed in words: "Oh, Lord! Another day! What a grind!" If you ask me whom I mean by the plain man, my reply is that I mean almost every man. I mean you. I certainly mean me. I mean the rich and the poor, the successful... more...

CHAPTER I MONEY IN THE HOUSE I In the evening dimness of old Mrs. Maldon's sitting-room stood the youthful virgin, Rachel Louisa Fleckring. The prominent fact about her appearance was that she wore an apron. Not one of those white, waist-tied aprons, with or without bibs, worn proudly, uncompromisingly, by a previous generation of unaspiring housewives and housegirls! But an immense blue... more...

ACT I Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper . Enter Tranto, back . TRANTO. Good evening. HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment. TRANTO. All right about my dining here to-night? (Hildegarde nods .) Larder equal to the strain? HILDEGARDE.... more...

I For years I had been preoccupied with thoughts of love—and by love I mean a noble and sensuous passion, absorbing the energies of the soul, fulfilling destiny, and reducing all that has gone before it to the level of a mere prelude. And that afternoon in autumn, the eve of my twenty-first birthday, I was more deeply than ever immersed in amorous dreams. I, in my modern costume, sat down between two... more...

THE APPEAL If there is any virtue in advertisements—and a journalist should be the last person to say that there is not—the American nation is rapidly reaching a state of physical efficiency of which the world has probably not seen the like since Sparta. In all the American newspapers and all the American monthlies are innumerable illustrated announcements of "physical-culture specialists,"... more...

ACT I A street in the city of Bethulia in Judea. Bethulia is in the hill country, overlooking the great plain of Jezreel to the south-west. Back, the gates of the city, hiding the view of the plain. Right, Judith's house, with a tent on the roof. Left, houses. The street turns abruptly, back left, along the wall of the city. Left centre, a built-up vantage-point, from which the plain can be seen... more...