Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 816
- Body, Mind & Spirit 145
- Business & Economics 30
- Children's Books 15
- Children's Fiction 12
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 64
- Family & Relationships 59
- Fiction 11841
- Foreign Language Study 2
- Games 19
- Gardening 17
- Health & Fitness 35
- History 1383
- House & Home 1
- Humor 147
- Juvenile Fiction 1884
- Juvenile Nonfiction 202
- Language Arts & Disciplines 89
- Law 16
- Literary Collections 687
- Literary Criticism 179
- Mathematics 13
- Medical 43
- Music 40
- Nature 181
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 65
- Photography 2
- Poetry 897
- Political Science 205
- Psychology 44
- Reference 154
- Religion 516
- Science 128
- Self-Help 87
- Social Science 83
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 60
- Transportation 23
- Travel 463
- True Crime 29
Arnold Bennett
Arnold Bennett was a prolific English writer born on May 27, 1867, in Hanley, Staffordshire. He is best known for his novels set in the Potteries, a region in Staffordshire, such as "The Old Wives' Tale" and "Clayhanger," which provide a vivid depiction of life in the industrial towns of that era. Bennett's works were influential in the early 20th century, earning him a prominent place in English literature, and he was also a notable journalist and playwright.
Author's Books:
Sort by:
by:
Arnold Bennett
HIS BIRTH On an evening in 1866 (exactly eight hundred years after the Battle of Hastings) Mr. Henry Knight, a draper's manager, aged forty, dark, clean-shaven, short, but not stout, sat in his sitting-room on the second-floor over the shop which he managed in Oxford Street, London. He was proud of that sitting-room, which represented the achievement of an ideal, and he had a right to be proud of...
more...
by:
Arnold Bennett
THE APPEAL If there is any virtue in advertisements—and a journalist should be the last person to say that there is not—the American nation is rapidly reaching a state of physical efficiency of which the world has probably not seen the like since Sparta. In all the American newspapers and all the American monthlies are innumerable illustrated announcements of "physical-culture specialists,"...
more...
by:
Arnold Bennett
ACT I SCENE I Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room....
more...
by:
Arnold Bennett
THE DOME He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat,' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a...
more...
by:
Arnold Bennett
CHAPTER I I Edward Henry Machin first saw the smoke on the 27th May 1867, in Brougham Street, Bursley, the most ancient of the Five Towns. Brougham Street runs down from St Luke's Square straight into the Shropshire Union Canal, land consists partly of buildings known as "potbanks" (until they come to be sold by auction, when auctioneers describe them as "extensive earthenware...
more...
by:
Arnold Bennett
PART I SEEING LIFE A young dog, inexperienced, sadly lacking in even primary education, ambles and frisks along the footpath of Fulham Road, near the mysterious gates of a Marist convent. He is a large puppy, on the way to be a dog of much dignity, but at present he has little to recommend him but that gawky elegance, and that bounding gratitude for the gift of life, which distinguish the normal puppy....
more...
by:
Arnold Bennett
CHAPTER I THE HOUSEHOLD AT HILLPORT She was walking, with her customary air of haughty and rapt leisure, across the market-place of Bursley, when she observed in front of her, at the top of Oldcastle Street, two men conversing and gesticulating vehemently, each seated alone in a dog-cart. These persons, who had met from opposite directions, were her husband, John Stanway, the earthenware manufacturer,...
more...
by:
Arnold Bennett
CHAPTER I MONEY IN THE HOUSE I In the evening dimness of old Mrs. Maldon's sitting-room stood the youthful virgin, Rachel Louisa Fleckring. The prominent fact about her appearance was that she wore an apron. Not one of those white, waist-tied aprons, with or without bibs, worn proudly, uncompromisingly, by a previous generation of unaspiring housewives and housegirls! But an immense blue...
more...
by:
Arnold Bennett
ACT I Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper . Enter Tranto, back . TRANTO. Good evening. HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment. TRANTO. All right about my dining here to-night? (Hildegarde nods .) Larder equal to the strain? HILDEGARDE....
more...
by:
Arnold Bennett
I For years I had been preoccupied with thoughts of love—and by love I mean a noble and sensuous passion, absorbing the energies of the soul, fulfilling destiny, and reducing all that has gone before it to the level of a mere prelude. And that afternoon in autumn, the eve of my twenty-first birthday, I was more deeply than ever immersed in amorous dreams. I, in my modern costume, sat down between two...
more...