Arnold Bennett

Arnold Bennett
Arnold Bennett was a prolific English writer born on May 27, 1867, in Hanley, Staffordshire. He is best known for his novels set in the Potteries, a region in Staffordshire, such as "The Old Wives' Tale" and "Clayhanger," which provide a vivid depiction of life in the industrial towns of that era. Bennett's works were influential in the early 20th century, earning him a prominent place in English literature, and he was also a notable journalist and playwright.

Author's Books:

Showing: 1-10 results of 35

CHAPTER I I Edward Henry Machin first saw the smoke on the 27th May 1867, in Brougham Street, Bursley, the most ancient of the Five Towns. Brougham Street runs down from St Luke's Square straight into the Shropshire Union Canal, land consists partly of buildings known as "potbanks" (until they come to be sold by auction, when auctioneers describe them as "extensive earthenware... more...

CHAPTER I At the beginning a misconception must be removed from the path. Many people, if not most, look on literary taste as an elegant accomplishment, by acquiring which they will complete themselves, and make themselves finally fit as members of a correct society. They are secretly ashamed of their ignorance of literature, in the same way as they would be ashamed of their ignorance of etiquette at a... more...

I There are men who are capable of loving a machine more deeply than they can love a woman. They are among the happiest men on earth. This is not a sneer meanly shot from cover at women. It is simply a statement of notorious fact. Men who worry themselves to distraction over the perfecting of a machine are indubitably blessed beyond their kind. Most of us have known such men. Yesterday they were... more...

ACT I A street in the city of Bethulia in Judea. Bethulia is in the hill country, overlooking the great plain of Jezreel to the south-west. Back, the gates of the city, hiding the view of the plain. Right, Judith's house, with a tent on the roof. Left, houses. The street turns abruptly, back left, along the wall of the city. Left centre, a built-up vantage-point, from which the plain can be seen... more...

PART I SEEING LIFE A young dog, inexperienced, sadly lacking in even primary education, ambles and frisks along the footpath of Fulham Road, near the mysterious gates of a Marist convent. He is a large puppy, on the way to be a dog of much dignity, but at present he has little to recommend him but that gawky elegance, and that bounding gratitude for the gift of life, which distinguish the normal puppy.... more...

HIS BIRTH On an evening in 1866 (exactly eight hundred years after the Battle of Hastings) Mr. Henry Knight, a draper's manager, aged forty, dark, clean-shaven, short, but not stout, sat in his sitting-room on the second-floor over the shop which he managed in Oxford Street, London. He was proud of that sitting-room, which represented the achievement of an ideal, and he had a right to be proud of... more...

I - ALL MEANS AND NO END I The plain man on a plain day wakes up, slowly or quickly according to his temperament, and greets the day in a mental posture which might be thus expressed in words: "Oh, Lord! Another day! What a grind!" If you ask me whom I mean by the plain man, my reply is that I mean almost every man. I mean you. I certainly mean me. I mean the rich and the poor, the successful... more...

CHAPTER I MONEY IN THE HOUSE I In the evening dimness of old Mrs. Maldon's sitting-room stood the youthful virgin, Rachel Louisa Fleckring. The prominent fact about her appearance was that she wore an apron. Not one of those white, waist-tied aprons, with or without bibs, worn proudly, uncompromisingly, by a previous generation of unaspiring housewives and housegirls! But an immense blue... more...

CHAPTER IAN EVENT IN MR. SKELLORN'S LIFE I The Lessways household, consisting of Hilda and her widowed mother, was temporarily without a servant. Hilda hated domestic work, and because she hated it she often did it passionately and thoroughly. That afternoon, as she emerged from the kitchen, her dark, defiant face was full of grim satisfaction in the fact that she had left a kitchen polished and... more...

ACT I SCENE I Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room.... more...

  • Page: 1
  • Next