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by:
Arnold Bennett
ACT I Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper . Enter Tranto, back . TRANTO. Good evening. HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment. TRANTO. All right about my dining here to-night? (Hildegarde nods .) Larder equal to the strain? HILDEGARDE....
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by:
Arnold Bennett
THE DOME He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat,' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a...
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Arnold Bennett
ACT I A street in the city of Bethulia in Judea. Bethulia is in the hill country, overlooking the great plain of Jezreel to the south-west. Back, the gates of the city, hiding the view of the plain. Right, Judith's house, with a tent on the roof. Left, houses. The street turns abruptly, back left, along the wall of the city. Left centre, a built-up vantage-point, from which the plain can be seen...
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by:
Arnold Bennett
CHAPTER I DOG-BITE I "And yet," Edward Henry Machin reflected as at six minutes to six he approached his own dwelling at the top of Bleakridge, "and yet—I don't feel so jolly after all!" The first two words of this disturbing meditation had reference to the fact that, by telephoning twice to his stockbrokers at Manchester, he had just made the sum of three hundred and forty-one...
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Arnold Bennett
CHAPTER I I In the pupils' room of the offices of Lucas & Enwright, architects, Russell Square, Bloomsbury, George Edwin Cannon, an articled pupil, leaned over a large drawing-board and looked up at Mr. Enwright, the head of the firm, who with cigarette and stick was on his way out after what he called a good day's work. It was past six o'clock on an evening in early July 1901. To...
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Arnold Bennett
CHAPTER I BEGINNING OF THE IDYLL In the Five Towns human nature is reported to be so hard that you can break stones on it. Yet sometimes it softens, and then we have one of our rare idylls of which we are very proud, while pretending not to be. The soft and delicate South would possibly not esteem highly our idylls, as such. Nevertheless they are our idylls, idyllic for us, and reminding us, by certain...
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by:
Arnold Bennett
CHAPTER I The Puce Dressing-gown The peculiar angle of the earth's axis to the plane of the ecliptic--that angle which is chiefly responsible for our geography and therefore for our history--had caused the phenomenon known in London as summer. The whizzing globe happened to have turned its most civilized face away from the sun, thus producing night in Selwood Terrace, South Kensington. In No. 91...
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Arnold Bennett
THE FIRST NIGHT I sat with a melting ice on my plate, and my gaze on a very distant swinging door, through which came and went every figure except the familiar figure I desired. The figure of a woman came. She wore a pale-blue dress and a white apron and cap, and carried a dish in uplifted hands, with the gesture of an acolyte. On the bib of the apron were two red marks, and as she approached,...
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by:
Arnold Bennett
MISS INGATE, AND THE YACHT Audrey had just closed the safe in her father’s study when she was startled by a slight noise. She turned like a defensive animal to face danger. It had indeed occurred to her that she was rather like an animal in captivity, and she found a bitter pleasure in the idea, though it was not at all original. “And Flank Hall is my Zoo!” she had said. (Not that she had ever...
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by:
Arnold Bennett
This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in...
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