CHAPTER I I Arthur Charles Prohack came downstairs at eight thirty, as usual, and found breakfast ready in the empty dining-room. This pleased him, because there was nothing in life he hated more than to be hurried. For him, hell was a place of which the inhabitants always had an eye on the clock and the clock was always further advanced than they had hoped. The dining-room, simply furnished with... more...

ACT I A street in the city of Bethulia in Judea. Bethulia is in the hill country, overlooking the great plain of Jezreel to the south-west. Back, the gates of the city, hiding the view of the plain. Right, Judith's house, with a tent on the roof. Left, houses. The street turns abruptly, back left, along the wall of the city. Left centre, a built-up vantage-point, from which the plain can be seen... more...

THE APPEAL If there is any virtue in advertisements—and a journalist should be the last person to say that there is not—the American nation is rapidly reaching a state of physical efficiency of which the world has probably not seen the like since Sparta. In all the American newspapers and all the American monthlies are innumerable illustrated announcements of "physical-culture specialists,"... more...

I For years I had been preoccupied with thoughts of love—and by love I mean a noble and sensuous passion, absorbing the energies of the soul, fulfilling destiny, and reducing all that has gone before it to the level of a mere prelude. And that afternoon in autumn, the eve of my twenty-first birthday, I was more deeply than ever immersed in amorous dreams. I, in my modern costume, sat down between two... more...

I There are men who are capable of loving a machine more deeply than they can love a woman. They are among the happiest men on earth. This is not a sneer meanly shot from cover at women. It is simply a statement of notorious fact. Men who worry themselves to distraction over the perfecting of a machine are indubitably blessed beyond their kind. Most of us have known such men. Yesterday they were... more...

ACT I Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper . Enter Tranto, back . TRANTO. Good evening. HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment. TRANTO. All right about my dining here to-night? (Hildegarde nods .) Larder equal to the strain? HILDEGARDE.... more...

CHAPTER I MONEY IN THE HOUSE I In the evening dimness of old Mrs. Maldon's sitting-room stood the youthful virgin, Rachel Louisa Fleckring. The prominent fact about her appearance was that she wore an apron. Not one of those white, waist-tied aprons, with or without bibs, worn proudly, uncompromisingly, by a previous generation of unaspiring housewives and housegirls! But an immense blue... more...

This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in... more...

MISS INGATE, AND THE YACHT Audrey had just closed the safe in her father’s study when she was startled by a slight noise. She turned like a defensive animal to face danger. It had indeed occurred to her that she was rather like an animal in captivity, and she found a bitter pleasure in the idea, though it was not at all original. “And Flank Hall is my Zoo!” she had said. (Not that she had ever... more...

I - ALL MEANS AND NO END I The plain man on a plain day wakes up, slowly or quickly according to his temperament, and greets the day in a mental posture which might be thus expressed in words: "Oh, Lord! Another day! What a grind!" If you ask me whom I mean by the plain man, my reply is that I mean almost every man. I mean you. I certainly mean me. I mean the rich and the poor, the successful... more...