ACT I SCENE I Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room.... more...

CHAPTER I The Puce Dressing-gown The peculiar angle of the earth's axis to the plane of the ecliptic--that angle which is chiefly responsible for our geography and therefore for our history--had caused the phenomenon known in London as summer. The whizzing globe happened to have turned its most civilized face away from the sun, thus producing night in Selwood Terrace, South Kensington. In No. 91... more...

CHAPTER I BEGINNING OF THE IDYLL In the Five Towns human nature is reported to be so hard that you can break stones on it. Yet sometimes it softens, and then we have one of our rare idylls of which we are very proud, while pretending not to be. The soft and delicate South would possibly not esteem highly our idylls, as such. Nevertheless they are our idylls, idyllic for us, and reminding us, by certain... more...

CHAPTER I At the beginning a misconception must be removed from the path. Many people, if not most, look on literary taste as an elegant accomplishment, by acquiring which they will complete themselves, and make themselves finally fit as members of a correct society. They are secretly ashamed of their ignorance of literature, in the same way as they would be ashamed of their ignorance of etiquette at a... more...

CHAPTER I I In the pupils' room of the offices of Lucas & Enwright, architects, Russell Square, Bloomsbury, George Edwin Cannon, an articled pupil, leaned over a large drawing-board and looked up at Mr. Enwright, the head of the firm, who with cigarette and stick was on his way out after what he called a good day's work. It was past six o'clock on an evening in early July 1901. To... more...

CHAPTER I DOG-BITE I "And yet," Edward Henry Machin reflected as at six minutes to six he approached his own dwelling at the top of Bleakridge, "and yet—I don't feel so jolly after all!" The first two words of this disturbing meditation had reference to the fact that, by telephoning twice to his stockbrokers at Manchester, he had just made the sum of three hundred and forty-one... more...

ACT I Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper . Enter Tranto, back . TRANTO. Good evening. HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment. TRANTO. All right about my dining here to-night? (Hildegarde nods .) Larder equal to the strain? HILDEGARDE.... more...

I - ALL MEANS AND NO END I The plain man on a plain day wakes up, slowly or quickly according to his temperament, and greets the day in a mental posture which might be thus expressed in words: "Oh, Lord! Another day! What a grind!" If you ask me whom I mean by the plain man, my reply is that I mean almost every man. I mean you. I certainly mean me. I mean the rich and the poor, the successful... more...

I Mrs Brindeley looked across the lunch-table at her husband with glinting, eager eyes, which showed that there was something unusual in the brain behind them. "Bob," she said, factitiously calm. "You don't know what I've just remembered!" "Well?" said he. "It's only grandma's birthday to-day!" My friend Robert Brindley, the architect, struck the... more...

THE LION'S SHARE I In the Five Towns the following history is related by those who know it as something side-splittingly funny—as one of the best jokes that ever occurred in a district devoted to jokes. And I, too, have hitherto regarded it as such. But upon my soul, now that I come to write it down, it strikes me as being, after all, a pretty grim tragedy. However, you shall judge, and laugh or... more...