PART I SEEING LIFE A young dog, inexperienced, sadly lacking in even primary education, ambles and frisks along the footpath of Fulham Road, near the mysterious gates of a Marist convent. He is a large puppy, on the way to be a dog of much dignity, but at present he has little to recommend him but that gawky elegance, and that bounding gratitude for the gift of life, which distinguish the normal puppy.... more...

I The Zone Of Paris From the balcony you look down upon massed and variegated tree- tops as though you were looking down upon a valley forest from a mountain height. Those trees, whose hidden trunks make alleys and squares, are rooted in the history of France. On the dusty gravel of the promenade which runs between the garden and the street a very young man and a girl, tiny figures, are playing with... more...

THE DOME He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat,' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a... more...

This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in... more...

I - ALL MEANS AND NO END I The plain man on a plain day wakes up, slowly or quickly according to his temperament, and greets the day in a mental posture which might be thus expressed in words: "Oh, Lord! Another day! What a grind!" If you ask me whom I mean by the plain man, my reply is that I mean almost every man. I mean you. I certainly mean me. I mean the rich and the poor, the successful... more...

THE FIRST NIGHT I sat with a melting ice on my plate, and my gaze on a very distant swinging door, through which came and went every figure except the familiar figure I desired. The figure of a woman came. She wore a pale-blue dress and a white apron and cap, and carried a dish in uplifted hands, with the gesture of an acolyte. On the bib of the apron were two red marks, and as she approached,... more...

ACT I SCENE I Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room.... more...

I Mrs Brindeley looked across the lunch-table at her husband with glinting, eager eyes, which showed that there was something unusual in the brain behind them. "Bob," she said, factitiously calm. "You don't know what I've just remembered!" "Well?" said he. "It's only grandma's birthday to-day!" My friend Robert Brindley, the architect, struck the... more...

CHAPTER I I In the pupils' room of the offices of Lucas & Enwright, architects, Russell Square, Bloomsbury, George Edwin Cannon, an articled pupil, leaned over a large drawing-board and looked up at Mr. Enwright, the head of the firm, who with cigarette and stick was on his way out after what he called a good day's work. It was past six o'clock on an evening in early July 1901. To... more...

CHAPTER I I Edward Henry Machin first saw the smoke on the 27th May 1867, in Brougham Street, Bursley, the most ancient of the Five Towns. Brougham Street runs down from St Luke's Square straight into the Shropshire Union Canal, land consists partly of buildings known as "potbanks" (until they come to be sold by auction, when auctioneers describe them as "extensive earthenware... more...