"1923." [The following is the description by Professor J. Scott, F.R.S., of his recent Airship Journey across the old Bed of the North Sea. July 1, 1923.] It is perhaps unnecessary for me to state the objects and purpose of my journey of last week, as it would be false modesty in me not to recognise the great interest taken by the geologic and antiquarian worlds in my proposed enterprise. For... more...

INTRODUCTION. The important influence which German literature has exercised on American culture and literature extends from the early part of the nineteenth century. This influence was, in a measure, a continuation of the interest and activity that had existed in England during the last quarter of the eighteenth century. Prior to 1790, numerous translations from Gellert, Wieland, Klopstock, Lessing,... more...

olonel Ilya Simonov tooled his Zil aircushion convertible along the edge of Red Square, turned right immediately beyond St. Basil's Cathedral, crossed the Moscow River by the Moskvocetski Bridge and debouched into the heavy, and largely automated traffic of Pyarnikskaya. At Dobryninskaya Square he turned west to Gorki Park which he paralleled on Kaluga until he reached the old baroque palace which... more...

PREFACE A single purpose runs throughout this little book, though different aspects of it are treated in the three several parts. The first part, "The Mystery of Evil," written soon after "The Idea of God," was designed to supply some considerations which for the sake of conciseness had been omitted from that book. Its close kinship with the second part, "The Cosmic Roots of Love... more...

The strangers landed just before dawn, incinerating a good li of bottom land in the process. Their machines were already busily digging up the topsoil. The Old One watched, squinting into the morning sun. He sighed, hitched up his saffron robes and started walking down toward the strangers. Griffin turned, not trying to conceal his excitement. "You're the linguist, see what you can get out of... more...

CHAPTER I ANTHONY PATCH In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual "There!"—yet at the brink of this story he has as yet gone no further than the conscious stage. As... more...

There wasn’t anything underneath but clouds, and there wasn’t anything overhead but sky. Joe Kenmore looked out the plane window past the co-pilot’s shoulder. He stared ahead to where the sky and cloud bank joined—it was many miles away—and tried to picture the job before him. Back in the cargo space of the plane there were four big crates. They contained the pilot gyros for the most... more...

THEIR MORAL AND ECONOMIC SIGNIFICANCE No more severe reflection could be passed upon the moral and political capacity of the human species than this: Five thousand years after the invention of writing, three thousand after the invention of money, and (nearly) five hundred since the invention of printing, governments all over the world are employing the third invention for the purpose of debasing the... more...

ARCHÆOLOGY. Investigations in this department are of great interest, and have attracted to the field a host of workers; but a general review of the mass of published matter exhibits the fact that the uses to which the material has been put have not always been wise. In the monuments of antiquity found throughout North America, in camp and village sites, graves, mounds, ruins, and scattered works of... more...

ACT I The Act takes place in autumn in a large village. The Scene represents Peter's roomy hut. Peter is sitting on a wooden bench, mending a horse-collar. Anísya and Akoulína are spinning, and singing a part-song. PETER [looking out of the window] The horses have got loose again. If we don't look out they'll be killing the colt. Nikíta! Hey, Nikíta! Is the fellow... more...