LIFE OF WAGNER HIS YOUTH 1813-1834. The old world is very remote from us now, but it is worth while making a small attempt to realize how it stood to Wagner. When he was born, in 1813, Bach had been dead only a little over sixty years; Mozart had been dead about twenty years, and Haydn about ten; Beethoven was in the full splendour of his tremendous powers; Weber and Schubert had still their finest... more...

CHAPTER I DOG-BITE I "And yet," Edward Henry Machin reflected as at six minutes to six he approached his own dwelling at the top of Bleakridge, "and yet—I don't feel so jolly after all!" The first two words of this disturbing meditation had reference to the fact that, by telephoning twice to his stockbrokers at Manchester, he had just made the sum of three hundred and forty-one... more...

CHAPTER I: OF THOSE THREE WHO CAME TO THE HOUSE OF THE RAVEN It has been told that there was once a young man of free kindred and whose name was Hallblithe: he was fair, strong, and not untried in battle; he was of the House of the Raven of old time. This man loved an exceeding fair damsel called the Hostage, who was of the House of the Rose, wherein it was right and due that the men of the Raven... more...

XX. IN A FOG HE IS SET TO WORK AS A BELL-TOLLER, AND BEHOLDS A HERD OF OCEAN-ELEPHANTS What is this that we sail through? What palpable obscure? What smoke and reek, as if the whole steaming world were revolving on its axis, as a spit? It is a Newfoundland Fog; and we are yet crossing the Grand Banks, wrapt in a mist, that no London in the Novem-berest November ever equaled. The chronometer pronounced... more...

ACT I At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the... more...

PREFACE Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in... more...

CHAPTER I THE EAVESDROPPER A one-eyed man with a stuffed crocodile upon his head paused before the steps of Cairo's gayest hotel and his expectant gaze ranged hopefully over the thronged verandas. It was afternoon tea time; the band was playing and the crowd was at its thickest and brightest. The little tables were surrounded by travelers of all nations, some in tourist tweeds and hats with the... more...

ONE DAY MORE SCENE I. CURTAIN RISES DISCLOSING CARVIL and Bessie moving away from sea-wall. Bessie about twenty-five. Black dress; black straw hat. A lot of mahogany-coloured hair loosely done up. Pale face. Full figure. Very quiet. Carvil, blind, unwieldy. Reddish whiskers; slow, deep voice produced without effort. Immovable, big face. Carvil (Hanging heavily on Bessie's arm). Careful! Go slow!... more...

INTRODUCTION.   Years ago I could not rid my mind of the notion that Free Trade meant some cunning policy of British statesmen designed to subject the world to British interests. Coming across Bastiat's inimitable Sophismes Economiques I learnt to my surprise that there were Frenchmen also who advocated Free Trade, and deplored the mischiefs of the Protective Policy. This made me examine the... more...

ACT I SCENE I The scene is a well-lighted, and large, oak-panelled hall, withan air of being lived in, and a broad, oak staircase. Thedining-room, drawing-room, billiard-room, all open into it; andunder the staircase a door leads to the servants' quarters. Ina huge fireplace a log fire is burning. There are tiger-skinson the floor, horns on the walls; and a writing-table againstthe wall opposite... more...