The Russian soldier made his way nervously up the ragged side of the hill, holding his gun ready. He glanced around him, licking his dry lips, his face set. From time to time he reached up a gloved hand and wiped perspiration from his neck, pushing down his coat collar. Eric turned to Corporal Leone. “Want him? Or can I have him?” He adjusted the view sight so the Russian’s features squarely... more...

CHAPTER I Conversation on the Subject of the Bullet—Construction of a Canoe—Hunting—At the Top of a Kauri—Nothing to attest the Presence of Man—Neb and Herbert's Prize—Turning a Turtle—The Turtle disappears—Cyrus Harding's Explanation. It was now exactly seven months since the balloon voyagers had been thrown on Lincoln Island. During that time, notwithstanding the researches... more...

SCENE I.—The Upper Chamber in Holyrood. The four MARIES. MARY BEATON (sings):—   1.  Le navire  Est a l'eau;  Entends rire  Ce gros flot  Que fait luire  Et bruire  Le vieux sire  Aquilo.   2.  Dans l'espace  Du grand air  Le vent passe  Comme un fer;  Siffle et sonne,  Tombe et tonne,  Prend et donne  A la mer.   3.  Vois, la brise  Tourne au... more...

Never rains where Jim is—People kickin', whinin';He goes round insistin',—"Sun is almost shinin'!" Never's hot where Jim is—When the town is sweatin';He jes' sets and answers,—"Well, I ain't a-frettin'!" Never's cold where Jim is—None of us misdoubt it,Seein' we're nigh frozen! He "ain't thought about... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter... more...

PREFACE Romances of the future, however fantastic they may be, have for most of us a perennial if mild interest, since they are born of a very common feeling—a sense of dissatisfaction with the existing order of things, combined with a vague faith in or hope of a better one to come. The picture put before us is false; we knew it would be false before looking at it, since we cannot imagine what is... more...

MQuarrie, the City Editor, looked up as I entered his office. "Bond," he asked, "do you know Jim Carpenter?" "I know him slightly," I replied cautiously. "I have met him several times and I interviewed him some years ago when he improved the Hadley rocket motor. I can't claim a very extensive acquaintance with him." "I thought you knew him well. It is a surprise... more...

The Pithecanthropus Silent as the shadows through which he moved, the great beast slunk through the midnight jungle, his yellow-green eyes round and staring, his sinewy tail undulating behind him, his head lowered and flattened, and every muscle vibrant to the thrill of the hunt. The jungle moon dappled an occasional clearing which the great cat was always careful to avoid. Though he moved through... more...

LETTER XIX. May 19. Dear E.:— This letter I consecrate to you, because I know that the persons and things to be introduced into it will most particularly be appreciated by you. In your evening reading circles, Macaulay, Sidney Smith, and Milman have long been such familiar names that you will be glad to go with me over all the scenes of my morning breakfast at Sir Charles Trevelyan's yesterday.... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...